Synergistic Red Fuse ...


I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...

Any comments from anyone else who has tried these fuses?
128x128oregonpapa
Jafreeman, I couldn’t find a schematic for your Ref 210 monoblocks, but given that it is a fully balanced ARC design that does not provide an RCA input, I suspect that in respects that are relevant to connection of a REL sub it is similar to the Ref 250 monoblocks that are used by the OP in the thread I linked to in my previous post.

If so, whether or not a ground-related noise issue would arise connecting in the manner you described (which would be an appropriate way to connect the speaker-level input of a sub to most other amps), may depend on the happenstance of how circuit ground and AC safety ground are handled in the particular sub, and possibly also on how AC power is distributed to the subs and to the amps (e.g., via conditioners of various types, via separate dedicated lines, etc.). In the case of the OP in the thread I linked to, obvious symptoms did arise. But I suppose that even in the absence of obvious symptoms it is conceivable that sonics could be at least slightly compromised in situations such as yours.

My suggestion is that you ask ARC which of the amp’s output terminals is connected to the amp’s circuit ground. If (as I suspect) the answer is the 4 ohm terminal, rather than the 0 ohm/common terminal, it may be worth your while to try connecting the black wire to the 4 ohm terminal, and the red and yellow wires to either the 8 or 16 ohm terminal. Using the 16 ohm terminal for the red and yellow wires, with the black wire connected to the 4 ohm terminal, should result in the optimal setting of the sub's level control being about the same as the setting you are presently using. Connecting the red and yellow wires to the 8 ohm terminal, with the black wire connected to the 4 ohm terminal, would necessitate a somewhat higher setting of the sub’s level control.

Of course, continue to connect the Maggies in the same manner as you have been doing.

Regards,
-- Al
Charles ... and others. 

The Newport Show was exceptional this year. It was a lot of fun finally meeting David. David and I had a good time in the Synergistic Research room.  Nice to finally meet Ted Denny too.

 Here's some of my top picks ... not in any particular order:

Best Demo:

Synergistic Research.   SR was demonstrating in a HUGE room, the largest at the show. The holographic imaging was spectacular.  When they moved the SR products out of the room, and disconnected others, the image became like a small flat movie screen like you'd see at the smaller movie theaters. When the products were moved back into the room and everything reconnected, it became like a huge, 3-D presentation at a good Imax theater. I want all of their stuff!!

Best Sound:

Keep in mind that I judge primarily on natural musicality and an organic presentation. There may have been systems with more "wow," but for over the long haul, I'll take the systems that play music like its real. 

1.  Venice Audio ... Harbeth 40.2's driven with Naim solid state electronics and a Well Tempered TT.   What wonderful speakers and sound. The tonal balance was right on the money and we just grooved with what was coming out of those speakers. At $16,000 per pair they kill some speakers I heard at the show costing in excess of 100k. 

2.  Sonic Flare ... Wilson Sasha speakers, Einstein electronics, Graham TT.  Danny Kaey, who runs the room is a music lover and a record collector extraordinaire.  I love the rooms where they will play the music that you bring into the room. The sound in this room was, to say the least, wonderful. Very natural with a broad, deep sound stage and a true to life presentation. People just didn't want to leave Danny's room. Its always like a party of music with everyone enjoying it immensely

3.  Magnaplaner:  They used three MMG's this year with one being a center channel.  Okay ... the sound was really great, but its a planned presentation by appointment only. They only use pre-selected  program material. No way would you be able to have them throw on some of the music you brought into the room. But ... very impressive, none the less.

4.  Precision Audio & Video:  Finally!  Mike Slaminsky really put a good room together this year. Real music from a system consisting of equipment I've never heard of and can't remember ... but the sound was excellent. Could it be because that Mike has finally gone over to the dark side and put a turntable into his room?  Nice!

5.  Von Gaylord Audio:   I'm saving one of the very best for last.  Ray Leung,  engineer, designer and a super gentleman was demonstrating his latest incarnations ... and how musical they were.  Robert and I were the only ones in the room besides Ray and  his wife and we just couldn't leave. The sound/music was that good. A very natural presentation with just the perfect tonal balance. I'd say Ray's speakers, as far as a natural presentation is concerned, are right in there with the Harbeth 40.2's that I alluded to earlier, but Ray's speakers are a lot better looking in my opinion. The finish is superb; reminiscent of the finish on the beautiful Venture speakers. 

Here's Ray's website if you want to see his offerings.

 www.vongaylordaudio.com

 So, that's it ... again, there may have  been systems at the show that many would prefer over the ones I listed ... but I'm in it for the music, not the audiophile bull that just wears you out after awhile. 

Sorry we couldn't have met more of you who attended the show. Perhaps next year we can get coordinated and have a record playing party in Danny Kaey's room.  I promise, you won't be disappointed. 

Take care ... 
The SR Black fuses are definitely directional. A friend and I switched the three fuses in the H-Cat X-10 MkIII amp from writing into the amp to all out. The sound was harsh and with no stereo imaging. My friend decided that the two top fuses were dc circuit fuses and that one needed to be the opposite of the other fuse. With the other fuses with writing going into the amp, we made the left one to out. This was much better, but ultimately we made the lower ac fuse go out also. I am not certain of this right now, however.

Don't experiment with fuse direction at your loss. 
Charles 1 dad:
I do hope you find a way to get to the Newport Beach Show. It is well worth the money and effort. Oregonpapa is absolutely correct. The Synergistic Research room was spectacular. The team of Synergistic Research and Scott Walker really know how to make a giant room sound other worldly good.

Many good sounds this year- High End Electronics with Voxativ speakers, Acoustic Zen, High Water Sound with Cassaro Horns, Tonian speakers, Blue Light Audio showing the BIG Evolution speakers. I spent most of my time in the Synergistic, High Water Sound, and the Blue Light Audio Rooms just listening to great music



tbg:
Yep- the Synergistic Research fuse sounds better in one direction ( After installing the Black fuse now in 21 locations for three systems).

David Pritchard
I recently added two more Black fuses into my system. Now every component of mine that can has an SR fuse. They are all Black fuses, except my Modwright power supply, which has a Red fuse.The UPS guy delivered a package to me today while I had music playing. When he arrived he said, "Wow, I thought that was live!" That was the best compliment for my system that I have ever received.