How well respected our EAR products


You rarely here about them and their U.S. Distribution is fairly limited. A gentleman that repairs EAR gear told me they use the cheapest parts. He said the designer is more concerned with circuit outlay than premium parts.
taters
Paravicini personally oversaw and custom designed many of the electronics for David Gilmour's floating studio, Astoria. If it's good enough for Gilmour, I'd say he's pretty much a badass.
Interesting that GSM 18439 should mention an EAR cd player that would not read cd's.My EAR Acute spent several stays with the talented EAR tech Mitch Singerman.The player would not read certain discs,usually imports.Mitch lost some brain cells trying to figure out why it was not reading these discs,but he could not crack it.No satisfaction from EAR on an exchange.Pretty creepy people with no integrity.
The problem went unresolved,so naturally I'm more than curious if this has finally been solved.I still have my unit,the Acute,and play it often because it sounds sooooo good.It has an amazing warm sound an the uncanny ability to soundstage like vinyl.This whole episode was very frustrating and I came out of this with less respect for EAR,their choice,of dealers with questionable practices as their retail affiliates in the L.A. area and more respect for the tech.As for "demo" stock folks,there is a difference between broken in and broken.
Tim also designed and built the electronics in the tube analogue reel-to-reel recorder used by recording engineer Kav Alexander for his Water Lily LP's, which are some of the best sounding LP's ever made. EAR power amps are used in some LP mastering and pressing houses as well.
I'm an EAR dealer. I choose to represent them because it is gear that remains interesting indefinitely for me. As the audiophile ear wanders, falls in and out of love, it is the products that remain interesting that I consider to be a true value.

Michael
bluejayaudio.com