Atmasphere,
While you and Ric Schultz are technically correct that higher impedance speakers get better performance from amps than low impedance speakers, this ignores the overwhelming superiority of low impedance electrostatics for most musical criteria, except in large SPL dynamics where the conventional dynamic speaker excels. If someone designed a higher impedance stat, that would be great, but the disadvantage of somewhat higher distortion (and it is still fairly low) into their very low impedance is vastly outweighed by their superior transient response, clarity, coherence, less coloration, etc. The old dictum is still true--the speaker is the most important element in the chain, with the possible exception of source quality. Get the best speaker you can afford, then get the best amp that will drive that speaker.
While you and Ric Schultz are technically correct that higher impedance speakers get better performance from amps than low impedance speakers, this ignores the overwhelming superiority of low impedance electrostatics for most musical criteria, except in large SPL dynamics where the conventional dynamic speaker excels. If someone designed a higher impedance stat, that would be great, but the disadvantage of somewhat higher distortion (and it is still fairly low) into their very low impedance is vastly outweighed by their superior transient response, clarity, coherence, less coloration, etc. The old dictum is still true--the speaker is the most important element in the chain, with the possible exception of source quality. Get the best speaker you can afford, then get the best amp that will drive that speaker.