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Well Tempered Reference Arm and Koetsu Rosewood Signature Combination

Hello,

Does anyone out there have any experience using a Koetsu Rosewood Signature cartridge in a Well Tempered Reference arm?  I have this cartridge and arm which is mounted to a WT Classic 'table.  I know this arm classifies presumably as a low mass arm. I bought the cartridge with a few hundred hours on it (circa mid 90's) and since then the suspension went kaput (tracking at 2 grams). I am seriously having Koetsu rebuild it. I really liked the sound of it in the arm before the suspension went south. Is there a better choice out there today for the same/ less money, across the board on all accounts, and is better suited for this arm if that's the case? I want to stick with my a moving coil.  I remember back in the mid-80's a dealer back then let me borrow his Onyx Signature (pre-platinum) for a few months.  I NEVER forgot that sound. It rivaled or surpassed any CD as CDs were back then for sound and quietness. The greatest surprise (and let-down was when I had to give it back to the dealer and put my Dynavector Karat Ruby back in my Grace 909 arm. That's when my jaw fell on the floor. It was quite heartbreaking.

If anyone has any experience with the combo above please chime in.

Thanks,

Statman71

statman71
james1969's avatar
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james1969
347 posts
 
Since no one has responded, I'll add my limited experience with a Koetsu RSP and my Technics tonearm.  For me, it was a matter of adding mass to the tonearm to get the cartridge - tonearm resonant frequency down to around 9 to 10 Hz.

Adding mass is easy, removing mass is not.  I do not know anything about your Well Tempered tonearm.  Good luck.
lewm
13,035 posts
 
Dear statman71, What is your question?  What are you thinking of changing, the tonearm or the cartridge?  My own opinion, which is just an opinion, is negative as regards the WT Reference tonearm.  My negative opinion is based on its tendency to change azimuth as it traverses the surface of an LP, because the bearing does not stabilize it in the left to right or right to left directions of rotation about the axis of the arm wand.  Also, it is heavily damped in the vertical direction of movement.  Perhaps the damping of tonearm is putting stress on the suspension of your Koetsu. So, if I were to want to keep the Koetsu, I would get a different tonearm. But if you are using the WT tonearm on a WT turntable, that may be easier said than done.  There are a few "surface mount" tonearms that might work, like a Dynavector DV505, Triplanar, or Reed.  None of those is cheap.

Mass vs compliance is a whole other thing.  You say nothing about issues with bass response, resonance, etc, so I assume the effective mass of the WT Ref tonearm is not a gross mismatch with the (low) compliance of the Koetsu.
statman71 OP
3 posts
 

Reply to lewm,

Thanks for you comments. In my post I left out a key word and that is, I meant to say that I am seriously considering having Koetsu rebuild it.
Let me point out that a WTRef arm tube has no bearing. It is also mounted to a WT Classic table. The pivot end of the arm has a shaft going from it down to a round paddle which is immersed in a cup of silicone fluid. As the for the azimuth, I would only occasionally need to tweak it in. It wasn't always going out of adjustment. Per my post, before the suspension wore out (?? read on), I was fairly content with sound in almost all aspects except bass output. This is a well-used cartridge with many hours on it when I bought it. I always remember the bass from that Onyx Signature that I had in my Grace arm (which had double gimbal bearings) way back then which was probably due, in part, to the cart. being mounted in that arm and not a WT. I think I may agree with you on the heavy damping in the vertical direction. I should be able to lower the damping by decreasing the depth at which the paddle sits in the silicone cup.This is done by turning the cup (which is threaded)  x turns or partial turn so that the paddle sits higher in the fluid. I'm just remembering this now as I type that I have this feature in the arm and need to experiment. This may be causing the cantilever to collapse perhaps(?). I will check this and try it out. I not very keen on shelling out for a Graham or Dynavector arm.

To answer your original question,  I would like to know if I could keep my WTRA and spend the $$ on the rebuild and tweak in this set-up OR keep the arm and with another cartridge more suited for this arm? I've read on another blog that a some Koetsu enthusiasts listened to old Rosewood Sigs  made by Koetsu senior and  newer stone Platinums by the son and the older ones sounded much better that the newer. They mentioned the bass was always deficient on them (which I disagree with in terms of the  stone Koetsus). What's your experience with Koetsu, if any, and opinion on this point? Looking at the gamut of decent to very good  MC cartridges out there, it seems the rebuild is priced about the same or less than most of them. 

Thanks again, 

Statman71

daveyf's avatar
daveyf
2,871 posts
 
Statman71, I’m going through some similar questions as you have posted. I also own a WTA ’Black’ version. The arm is excellent in most areas. Matching it up to a Koetsu is also a question in my mind. I think that the answer is that the Koetsu will work well in the arm, BUT you will still have a lighter weight bass response. ( My guess). Due, i suspect, to the fact that the arm seems to be a limiting factor ( somewhat ) with deep bass response. Possibly I would guess due to the low mass of the arm tube. OTOH, the arm is a real champ in the imaging dept ( I believe due to the liquid bearing...no bearing noise whatsoever!) and i suspect will outclass most arms in that area. So, what is the solution? I would certainly consider having the Koetsu re-built and then seeing what you think of the SQ. I use and am pretty happy with a Benz...they have a similar sound to Koetsu’s, although depending on model...perhaps a little less able in the mids??? Tough question...and no easy answer.
analogluvr
859 posts
 
 I have a well tempered arm and at first I agreed with Lewm regarding azimuth. Since then I have fiddled with things and experimented with differing amounts of fluid and I believe I have things working well. I just absolutely love the arm now! I have a Lyra helikon  on it and things have never sounded this good! The bass is very deep and tight.  Things just sounds very musical and right.  
 I believe my lira has a compliance of 12 but unfortunately I have no experience or knowledge of the Koetsu's 
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