Vintage Japanese DD Consult and Suggestions Please


A little over five years ago, I worked with Chris Harban at Woodsong Audio to craft a bespoke Garrard 301 for me and my my vinyl collection. I had previously had a Dual of some model followed by a Thorens TD 160 with a nice Ortofon Black MM cart. The 301 was completely restored featuring a heavy mahogany plinth, Ortofon AS 309S tonearm, and Ortofon SPU head. I have completely blown away with how this table has sounded and looked. The sound was huge, rich, and detailed...everything that I heard that idle drives from this era should sound.

Unfortunately, some family health matters have forced me to liquidate some much revered audio gear, and recently placed my Garrard 301 up for sale. I do not wish to be without a way to continue to enjoy my collection and would somehow like to come as close to the performance of the 301 for around $2500 or so. 

My considerations (thus far)for this change are as follows,

Denon DP80

Technics SP10 Mk 2 or 3

Technics SL 1000 Mk 2

Luxman PD 444

As you can see, I am curious about the more vintage looks and sound of the direct drives coming out of Japan, and am hoping to glean from this audience which of these units may provide me with the same (or as close to)level of enjoyment that my 301 has done. Thoughts on tonearm and MC cartridges pairings with each would be helpful.

I am not really considering anything belt driven at this time for whatever reason, or a deck that veers away from a traditional turntable aesthetic.

If it helps, the rest of the signal chain is as follows.

Aric Audio Motherlode preamp

Manley Steelhead phono pre

Aric Audio Transcend EL 34 push/pull amp

Klipsch Forte iv speakers.

 

I am grateful in advance for your thoughts on this matter.

 

 

laaudionut

The Link was to only show the product with a guideline price.

The Brand Itself can be investigated through the Company Website, their is a vast range of Colours Produced which I am sure will widen the appeal for the material type. The Company if contacted, may be able to offer a delivery or show where the distributors are, increasing the likelihood the Material in a desirable colour and Dimension can be acquired.

It is a chore today to source these types of materials in small volume without incurring too much cost.

My Last purchase was a 2000mm x 1000mm x 25mm Panzerholz Board brought in from Germany, which was plenty enough for 10 x Plinth Blanks or Sub Plinths.

This was dropped of at a Depot, and I had a 200 Mile round trip to retrieve it plus the cutting fee for producing the 10 x Blanks.

All in I was not north of £100 per blank. 

I could have went with a different approach, but paid up to 300% more per Blank Dimension as the minimum uplift in price.

I also could have profiteered, but have not made one penny whilst assisting others have the experience of Panzerholz used in their audio systems. It is interesting that the materials that have been acquired very fair priced by the inquisitive individuals assisted. Where a plinth produced in this material for the TT’s selected, will sell on very very quickly. With the outcome to date, the assisted who are now advocates, still remain with their P’holz Designs and speedily make it known, using P'holz has offered something that gives the impression using it, creates the best Vinyl Set Up to date in their own systems.

Others with a different approach, prefer to charge significant monies to enable another to buy into to the experience of using a Resin Impregnated Densified Wood Board.

Taiko was the first I become aware of who were to attach a Substantial Uplift in price for the material type (Panzerholz), with their DAIZA Sub Plinth. Approx’ £900 added to the base material for a Fibonacci CNC produced pattern.    

Linn has excelled further in showing what a Uplift in price for this material type (Resin Impregnated Densified Wood Board) can attain, I’ve got approx’ £7000+ to CNC shape the Peripheral for the LP12 TT, maybe they used the likes of Clearaudio as a means to gauge a price in the Market Place.

I wonder what Clearaudio attaches as the Uplift in Value for their usage of the material (Panzerholz). They use 2 Different Board Thicknesses and can use up to 4 x Tiers of the Board. 

For all producers, not limited to TT Producers only, who have become adopters of using a material type, being a Resin Impregnated Densified Wood Board, "It is not a Gimmick" , it brings something quite attractive to the influence on the end sound.              

So the excellent birch plywood used to make plinths has lost its "appeal" and has fallen to the bottom of the list of interesting things for  "good sound"?