My understanding is if you do upsample, then stay within the same "family". For example, 44.1, 88.2, 176.4, 352.8 or 48, 96, 192, 384.
Bill
Bill
Upsampling and the FR of a DAC
My understanding is that the FR coming out of a DAC is limited by the digital filters, and if you upsample, you get the benefit of the filters designed for higher sampling frequencies. These roll off more gradually outside the audible band. I think that probably is the reason that people often find oversampled audio more pleasing. (Others do not, but after all, ask 10 audiophiles, get 20 opinions....) |
I think that probably is the reason that people often find oversampled audio more pleasing Just as many find NOS more pleasing, as I did with the Holo Spring dac that can be switched off or on, on the fly at differing levels while listening, to any 16/44.1 or 24/96 digital. https://www.stereophile.com/content/holoaudio-spring-kitsun%C3%A9-tuned-edition-level-3-da-processor Cheers George |
If we upsample from Redbook (44.1/16) do we still get the 96 kHz frequency plot as a result? If so, couldn't this alone be a possible reason why some hear a difference in upsampling and some do not?Yes, and yes. But are SR (slow rolloff) filters very popular? The vast majority of linear phase filters won't have such a droop approaching 20kHz as the SR one here. |
My understanding is if you do upsample, then stay within the same "family". For example, 44.1, 88.2, 176.4, 352.8 or 48, 96, 192, 384. Yep, this makes the math simpler, and you retain the original data exactly, though as Benchmark has written, and perhaps discovered, if you attempt to use a curve fitting algorithm adding bits for overhead is necessary. Otherwise, you end up in asynchronous sample rate conversion, which some DACs now do to solve the jitter problem altogether, while playing a little loose with the data. Best, E |