I answered that question several years ago, before covid: Benz Micro Glider SL (with a Musical Surroundings Nova III phono stage that developed a hiss several months prior to the warranty going out and Musical Surroundings refused to take it for examination/repair - mind blown. I could have shipped it but no guarantee they’d return it… I found a dealer who bought it for a YUGE loss), deciding on a Quadratic MC-1 SUT to match it.
SUT is “the way” for me at least, one less complex electronic noise box in the audio chain (YMMV all the snarksters here in Audiogonland).
I have other cartridges now (Ortofon Cadenza Black, Ortofon Verismo) I’ve played with, and I’ll admit the Verismo needs better resolving equipment than I’ve got right now but I’m awed by its performance compared to the others mentioned (and got a smoking hot deal on it like it fell off the truck).
For starters I can’t recommend the Benz highly enough.
TT: Thorens 125TD Mk II with Pat Pruitt electronics, ceramic ball bearing spindle (no rumble)
TA: SME V rebuilt by SME Canada (smooth. 1 M 33 awg Cardas Litz wire to SUT)
Preamp: APT Holman (recapped, “tuned” by Peter at Quirk Audio). One word on the APT: Transparent.
Amp: Tektron TK2 2A3/50-IS with EML 300b PT and 1944 vintage Tung-Sol 6F8G drivers, sometimes an ADCOM 545II (“rebuilt” with the help and guidance of Chris Hoppe of Hoppes Brain) when I want to shake the house with something like RAMMSTEIN or King Crimson’s RED.
Speakers: Klipsch Heresy IV’s (I’ve been a Klipsch fan since the early 1970’s, but auditioning others now)