The end result is different from my expectations!
In the 8900 I have replaced the OPTs and the caps. Also the small signal tubes are now Amperex ECC82/12AU7s. WOW.
The 8900 with Electro-Harmonix 2A3 EH Gold tubes is just gorgeous and is now in my main system, the 8600 in the 2nd system! The soundstage is amazing, playing the CBSO Mahler 2 it stretches to a foot outside the speakers on both sides, I had never before had this effect in my untreated room. There is the ability to see into the performance and the instrumental timbres are so clear and seductive.
Choral works, such as the Rachmaninov All Night Vigil, also solo and chamber works are superb.
To be absolutely critical orchestral tuttis are ever so slightly congested at 98dB but I can live with that since the sound is still wonderful, and the quiet, ethereal passages have totally seduced me.
Bottom line, the TU-8900, with Lundahls and good caps plus Amperex 12AU7s is a superb amplifier (Stereophile class A- perhaps, not quite Kondo Audio Note, but 2% of the price). I have a pair of RCA Black Plate 2A3s on order; I found an NOS pair on eBay (fingers crossed, they are coming from India).
The news on the DMP A8 is similarly good, it arrived in perfect condition in bomb proof packaging. It was fairly easy to configure, I did this in my main system, running straight into the 8900, leaving it in its default filtering mode. Tonally it is excellent, just lacking a hair of the resolution of the (12 x as expensive) Esoteric K-01XD SE.
The 2nd system is now rather good - DMP A8 -> Upgraded TU-8600 -> Harbeth P3ESRs. I now must be careful to not be distracted by the music while using my knives in the kitchen!