There are simply two kinds of music, good music and the other kind ... the only yardstick by which the result should be judged is simply that of how it sounds. If it sounds good it's successful; if it doesn't it has failed. -- Duke Ellington
This purpose of this thread is to provide a place to post outstanding examples of the Good Music. Genre Immaterial.
Randy Brecker(trumpet), Michael Brecker(tenor sax), David Friedman(vibes), Horace Silver(piano), Bob Cranshaw(electric bass), Mickey Roker(drums)
google--What is this? The meaning of angel number 27 is a message from the angels that you are on the right path and doing things in alignment with your divine purpose.
Dexter Gordon(tenor sax), Bud Powell(piano), Pierre Michelot(bass), Kenny Clarke(drums)
Notes : In this Paris album, Dexter's colleagues have a long history as a unit in that city...This, therefore, is not a date with a pick-up rhythm section.
Solomon Vincent McDonald Burke was an American singer who shaped the sound of rhythm and blues as one of the founding fathers of soul music in the 1960s. He has been called "a key transitional figure bridging R&B and soul", and was known for his "prodigious output". Wikipedia
Lee Morgan(trumpet), Pepper Adams(baritone sax), Bobby Timmons(piano), Paul Chambers(bass), Philly Joe Jones(drums)
Notes: If we accept Morgan’s distinction between an original style (which he claimed not to have at this point in his career) and an identity, THE COOKER can be heard as the album in which the Lee Morgan identity is announced.
Morgan is 19 years old on this recording. His 5th recording in less than a year.
Milt Jackson(vibes), John Lewis(piano), Percy Heath(bass), Connie Kay(drums)
Notes : The earlier MJQ sessions were released on 78s, 45s, EPs and 10 inch LPs. Later they were collated on 12-inch LPs. This was the first session done specifically for 12-inch and was also Connie Kay's first recording with the group after replacing Kenny Clarke.
Notes : McCoy Tyner, in his third album under his own name, vividly illustrates he is one of those rare Jazz musicians that bridges the gap between erudite Jazz and lyrical commercial appeal. Like Erroll Garner and Dave Brubeck, Tyner has "something" that engenders a universal listening response.
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