^^^ Bob ... The Scotch was really good too. :-)
I heard the same improvements in your system that I'm hearing in mine. There's a sense of realism that one just doesn't expect in an audio system. It really makes you sit up an notice. Guitars, voice, cellos and pianos all have life.
I had my friend Robert over this evening for a listening session. He brought over one of his thrift store finds. Would you believe a 1945 recording of Scheherazade? Blue label Columbia ... Ormandy conducting. It was a little noisy, but man, the sound that came out of that record was really, really good. One of the best performances of Scheherazade I've ever heard. How a 70 year old record can do that is beyond me.
The AT ART-9 really gets mono playback right. The SR Black fuses get the textures right. The massed strings and the woodwind section was great, and of course the violin was superb.
All in all ... a welcome relief from trying to figure out what goes on line 43 after subtracting line 27 from line 32 and adding line 16 back in. Bah!
OP
I heard the same improvements in your system that I'm hearing in mine. There's a sense of realism that one just doesn't expect in an audio system. It really makes you sit up an notice. Guitars, voice, cellos and pianos all have life.
I had my friend Robert over this evening for a listening session. He brought over one of his thrift store finds. Would you believe a 1945 recording of Scheherazade? Blue label Columbia ... Ormandy conducting. It was a little noisy, but man, the sound that came out of that record was really, really good. One of the best performances of Scheherazade I've ever heard. How a 70 year old record can do that is beyond me.
The AT ART-9 really gets mono playback right. The SR Black fuses get the textures right. The massed strings and the woodwind section was great, and of course the violin was superb.
All in all ... a welcome relief from trying to figure out what goes on line 43 after subtracting line 27 from line 32 and adding line 16 back in. Bah!
OP