2. analog
  3. 189681-38070

SUT help

Hello all,

I've combed the forums and pretty much every SUT thread either devolves into arguments of the merits for/against, or gets hyper specific. I'm assuming to properly match a SUT, it needs to be selected based on the cartridge AND phono pre-amp. Since I haven't found a thread about my specific combo...here I am.

I don't know a TON about SUTs, but I'd like to experiment to see if adding one will enhance my experience.

Currently, my cartridge is a Hana ML and my phono pre-amp is the Modwright PH 9.0XT. I may possibly move up to the Hana Umami Red in the nearish future, but the specs are fairly similar between that and the ML.

Hana ML specs: 0.4mv; 7 ohm/1khz
Hana Umami Red specs: 0.4mv; 6 ohm/1khz

Modwright PH 9.0xt - MM input is 52db gain, with option to lower -6 and -12 to 46db and 40db.

I currently use the MC input which offers 64db of gain (-6, -12). I've typically kept it at 64db and alternate between 100ohm and 250ohm for load impedance settings. The 470 is too much.

--

Not sure if its possible to have a SUT that would work well with both the ML and umami red, but if so, I'm all ears. If not and they each need specific ones, I'd be considering the ML first and foremost.

Any help is appreciated. I don't really have any clue how to determine what ratio is best and whether copper or silver pair better with these cartridges. I had EM/IA recommended to me in the past, but their pricing is well beyond what I'd like to spend on one (~$1500 or less, ideally?)

128x128mmcgill829
pindac's avatar
pindac
2,864 posts
 

@lewm I do not own a Paradise at the present or any other time.

I have described how I have experienced the Paradise as a SS Circuit as a few build guises. 

I also made it known that an alternative SS Phon' is also known to me that is one I am very impressed by.

I am without a Vinyl Source, it is packed away ready for storage. 

I have a few intersting experiences to be had around Vinyl Replays in the future.

I am having most of the Musical experiences in the homes of others. 

For myself, being social around my hobby  is more important than the  music replays and much much more important than equipment. 

atmasphere's avatar
atmasphere
11,794 posts
 

From answers to my original questions, it seems like finding a SUT with 1:10 and 1:20 options might be best since it sounds like there's been success with both and either should work with various configurations on my phono pre-amp.

@mmcgill829 We have used SUTs in our preamps (I prefer direct FWIW) but one thing we noticed was the less gain you try to get from the SUT the better. So if it does have reconfigurable stepup (like the Jensen JT-346, which is an excellent SUT, one of the best), use the least amount that will get you enough gain. Its Ok if you have to run the volume up on your line stage a bit; as long as the noise floor of the phono section overall is less than that of the silent grooves of a good quality LP, you're good to go. IOW 1:10 is better than 1:20.

bobsdevices
100 posts
 

Re atmasphere:  Key is the noise floor of the phono stage.  I have found that using a SKY SUT to bring the input to the phono stage at about 7mV works best to my ears in most cases.  Of course it depends on the quality of the phono stage.

atmasphere's avatar
atmasphere
11,794 posts
 

@bobsdevices Our phono sections are designed to work with LOMC cartridges directly.

It seems where SUTs are best suited is if the phono section is designed for high output MM cartridges. That's always been their traditional use.

bobsdevices
100 posts
 

@atmasphere I was referring to your comment about using the least gain from the SUT the better.  That has not been my experience.  By the way, I am still using your line stage and love it.

More to discover