Stereophile review of the $30,000 tekton speakers


We have had many discussions/arguments over tekton speakers in the past, mainly involving a couple posters who thought their $4000 tektons sounded better than the highest price Wilson’s and other high budget speakers.

In the latest Stereophile magazine, they did a review of the $30,000 tekton’s. In this Steteophile issue, they rate these $30,000 tekton’s as class B. When you look at the other speakers that are in the class B section, you will notice most of these speakers range in price from $5000-$8000. So it looks like you have to spend $30,000 on a pair of tekton’s to equal a pair of $5000 Klipsch Forte IV’s sound quality. 
If I compare these $30,000 class B tekton’s, to some of the class A speakers, there are some class A speakers for 1/2 the price (Dutch & Dutch 8C, Goldenear triton reference), or other class A speakers that are cheaper (Magico A5, Kef blade 2).

 

 

p05129
markor6457, Thanks for sharing! Loved hearing about your brothers speakers too. You are probably aware that we love Wilson Audio - they’re across town from us. I’ve had three of their past employees on my team.
mapman, Trust me here... it’s being done and I am under no obligation to share how any of it’s done beyond what I’ve said already.

That’s OK. I’ll take it for what’s it worth. I can see where a 2 ohm speaker could easily sound like a 8 ohm speaker, but I would attribute that to the amp being a champ, not the speakers. Wouldn’t happen with just any amp.

I tend to agree with another vendor here who asserts an amp will always distort less with a higher impedance speaker than a low impedance speaker because it does not have to work as hard. That makes sense to me. The question will be how much more? With a champ amp that’s up to the task at hand it may not matter much if at all.

 

mapman, consider this... audiophiles tend to be very consistent and predictable in their listening habits. Our larger models are already hovering over 95dB with a single Watt. Next, there are quality amplifiers produced today with low distortion numbers into 2 Ohms. Since audiophiles tend to listen the same from day-to-day and rarely anywhere near full volume running into 2 Ohms on a 95dB+ loudspeaker extrapolates to effortless sound produced at low volumes and more potential when called upon.