Speaking of Obelisks...
While this doesn't have an exact bearring on the specific question, if you go over to audio asylum and do a search on these speakers, there's a discussion from a year or three ago re. the unique design approach Shahinian takes with them and his Diapasons.
If I understand correctly, the Obelisks purposely use the acoustics of the listener's room to enhance a life-like presentation of the music. Since the actuall room is therefor in a way part of the speaker, I wonder what the ideal listening space for them would be with that in mind.
While this doesn't have an exact bearring on the specific question, if you go over to audio asylum and do a search on these speakers, there's a discussion from a year or three ago re. the unique design approach Shahinian takes with them and his Diapasons.
If I understand correctly, the Obelisks purposely use the acoustics of the listener's room to enhance a life-like presentation of the music. Since the actuall room is therefor in a way part of the speaker, I wonder what the ideal listening space for them would be with that in mind.