For any PL, swapping the two 12AU7 in the middle with better tubes results in the most significant improvement, but there are audible benefits in upgrading them all. I myself have used matching aftermarket tubes for the two in the middle and upgraded the other four with a matching quad of another brand. I’ve also swapped all six out. I’ve never used three types of 12AU7 in a single unit. If anyone does, it should be done in mirrored fashion from the middle.
Showing 9 responses by blisshifi
@thecarpathian Thank you, that comment really just made my day. I just love to help and want to keep this community going strong. If there’s ever I can do to help you from a gear purchase perspective, never hesitate to get in touch. :) Juan Charvet blisshifi.com |
@thecarpathian I mean to ask as well, have you upgraded the power tubes? |
@stereo5 Thank you for the kind words. My goal is to keep being an audiophile and serve the community first and hope my business will be successful as a result. It hasn't been easy considering I have limited capital and only a handful of brands that I work with, but the journey has been incredibly rewarding to date especially because I've become a bigger part of the community. It's been good talking with you here and there on threads even before my username changed a few months back (used to be thiefoflight). Once in a while I may recommend some brands that I carry on the threads, but even then, I make it a point to try to be as objective as I can and point out observations to other gear it has been compared to, and I always want to be empathetic to the needs of the person who is trying to advance beyond where they are. I'd feel horrible pushing something that I didn't think was truly was the right fit. And for the moments that I do recommend those brands, I am 100% honest whether I am a dealer for it or not. Thanks again for your advocacy and hope we can continue our support for each other! |
@thecarpathian I would agree with most of what @yakbob says, though I’ve never really had issues with KT-150s being noisy or dying. Below are my additions. Overall, the EVO series is a very modern tube amp design and sound. This means that the amp does not have typical coloration that one might have with a tube amp. It does have some bloom, especially depending on tube types used, but one would never mistake it for being as colored as a classic SET amp. I actually found it quite difficult to get a lot of bloom with the Primaluna. This is neither a strength or weakness, though some may perceive it that way - it really just depends on what suits you best. With good quality tubes, I find the EVO series to come quite close to Audio Research, but for much less, especially if your speakers are easy to drive. The amps are dynamic, with decent warmth and good harmonics, again, without being too colored. I do prefer the sonic and build quality of Audio Research which I will get to later. The build quality is very good, and it’s versatility in terms of tube rolling options are very fun and make the amp worth playing around with for years. Also, with the ability to switch between ultra linear and triode modes, you can experiment the sound you like best for particular recordings. It is a fantastic value for its price given the entire package. As for weaknesses, I do think there are a few. First, I don’t think the amp delivers optimal current to control and drive speakers like endgame amplifiers do. Combined with the 300 putting out a max of 50wpc, which results in less headroom, it can produce a sound that is softer in some areas and harder in others and ultimately sound less resolving and organic than desired. I do like the 400 better in this regard because of the power and headroom and like an octet of good EL34 or 6CA7 vs a quad of KT150. Also, I’ve never gotten Primaluna to deliver the clarity and decay in the upper treble to depict the air, space and depth as I have in other endgame amplifiers. This is where I find Audio Research to excel, both with the current delivery, control, clarity/holography, and organic delivery. But here we are comparing a $4-5K integrated amp to one double to triple its price, and when I mention other endgame amps, I am also referring to ones that fall in the $20-40K range, so I am being very critical in this sense. I guess the last weakness is that for the PL to sound its best, you should plan to spend upwards of $1000-1500 on tubes. The stock tubes are really, really mediocre. With all this in mind, I still highly recommend the PL for its price point. It is a very versatile amp of very good quality, especially for its price point. I’ve owned them many times and still have one in possession for demonstration purposes against other amps. I am not a dealer for them, and I don’t plan to be. Most of the amps I sell cost much more, but if I do find someone who only wants to invest $6K or less on a tube amp that is not low-powered, I don’t hesitate to have them consider PL. Hopefully you find this helpful. The big question for you is, what speakers are you using, and why the 300 vs the 400?
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@tablejockey - What you are saying does not negate my statement, and none of my statements are false. Yes, that one in particular is subjective. I don’t disagree when you say “the stock tubes can be just fine to some ears”, but I do think upgrading the tubes enable the amp to perform at its best. I don’t think many, if any, would disagree with that statement. Most would also agree that the stock tubes do sound mediocre compared to quality aftermarket ones. It does not mean that the amp sounds bad with the stock tubes, only that it sounds better with many others aside from the stock. |
@tablejockey I have highly regarded and appreciated your posts and responses over the years, but you are misconstruing my statements above. I also did not say “it’s only an amp you buy if you spend on tubes.” I am very favorable towards the PL above, and all I say is “You should plan to spend”. This investment is typically made, but it doesn’t mean that it is incurred up front. The fact of the matter is that most PL owners end up investing in NOS or aftermarket tubes for the unit. Perhaps they purchase it first and live with it for a few months or even years. But then, they do end up buying tubes for it that in total increase the total investment into the amplifier. The $1,000-1,500 amount I believe is fairly on point because it covers a gamut:
… and so on. The unit is a gateway to tube rolling, and I just wanted to inform the OP of that, that most succumb to rolling to get it to sound its best, and what it might cost overall. I had no other intent other than to prep the OP for this.
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@ps I think the Primaluna is definitely in the “modern tube amp” camp. It might have a touch of euphonic compared to a 100% neutral solid state amplifier. It can have a bit more warmth than say an ARC Ref 150 SE, but it’s not as euphonic as say a Luxman KT-88 amp. It is very versatile, and rolling other tubes like Gold Lion KT-88 or Psvane EL34PH, combined with NOS 12AU7 like Brimar CV4003 or Mullard CV4003 can make it more euphonic. I understated the Psvane EL34PH above, as they do add a wonderful sense of romanticism and bloom while keeping wondering speed and definition at the frequency extremes they are my favorite readily-available EL34 tubes today, but they run upwards of $450-500 per quad FWIW, if you are not looking for high power, I am a new dealer for Margules, and I have the last new Margules I-240 integrated amplifier coming my way. At 25wpc, it might be just what you are looking for. It is getting glowing reviews and was a contender for best in show at the recent Pacific Audio Fest just a few weeks ago. Google it and see what reviews come up and PM me if interested in discussing more. |