Opinion: Half of the reason to listen to choral works is the acoustics in the recording


As I was listening to KCSM ( I always want to call it KFC)  this morning I got a big dose of choral music and I thought to myself that for this particular type of music, the recording venue is at least half as important as the music if not more so.  Perhaps no other type of recorded music has so much of an implicit dependence on the original room acoustics, and therefore, demands our own listening environment be more receptive than average.


erik_squires

Showing 1 response by twoleftears

Can we agree that at least most liturgical choral music was written with some anticipation of the acoustic in which it would be performed.  I have to say that something like the Tallis Scholars' recording of the Allegri Miserere would be a little less exquisite without the acoustic effects.

@erik_squires and @newbee   This makes for interesting and perhaps provocative reading.
https://cappellaromana.org/product/lost-voices-of-hagia-sophia-medieval-byzantine-chant/