Can we agree that at least most liturgical choral music was written with some anticipation of the acoustic in which it would be performed. I have to say that something like the Tallis Scholars' recording of the Allegri Miserere would be a little less exquisite without the acoustic effects.
@erik_squires and @newbee This makes for interesting and perhaps provocative reading.
https://cappellaromana.org/product/lost-voices-of-hagia-sophia-medieval-byzantine-chant/
@erik_squires and @newbee This makes for interesting and perhaps provocative reading.
https://cappellaromana.org/product/lost-voices-of-hagia-sophia-medieval-byzantine-chant/