Apparently the owner of the system in the video is / was managing a car dealership for a living.

I know that has nothing to do with anything, but I can't help finding it interesting anyway.

 

@mitch2 

I agree, having multiple DACs allows for comparing different voicing and synergy with various components, the same logic applies to turntables or any other component in an audio system. 

But hear me out…having own couple of turntables, I will say this; running two high-end turntables is a whole different level of commitment compared to owning multiple DACs. With DACs, switching between them is often as simple as changing an input or swapping a cable. But with turntables, you’re managing intricate setup variables like VTA, azimuth, tracking force, and anti-skate—each of which can significantly alter the sound.

Then there’s the maintenance: keeping multiple cartridges perfectly aligned, ensuring both tables are finely calibrated, and dealing with potential motor, belt, or bearing upkeep. Not to mention the cost of quality tonearms, cartridges, and phono stages—each optimized for a particular table.

And let’s not forget the space and isolation requirements. A second turntable needs its own properly isolated platform or rack space, along with careful grounding and cabling to avoid interference or hum. And, I am not even going to talk about the whole record cleaning / maintenance regime :-) 

IMHO, owning two turntables is a true labor of love, reserved for those with both the dedication and passion to dive deep into the vinyl experience. It’s not just about variety—it’s a serious pursuit of analog perfection. 

The way I see it….Mike’s setup is much more than a collection of components—it’s a carefully curated and purpose-built environment, designed from the ground up for uncompromising performance. The fact that he has two turntables is impressive, but when you consider the entire system synergy, the dedicated acoustic space, and the meticulous attention to detail, it’s on another level.

Building a custom barn specifically for audio isn’t just a commitment—it’s a lifestyle. The level of planning that goes into optimizing everything from room dimensions and construction materials to electrical isolation and acoustic treatment is a true testament to his dedication. Honestly, it’s the kind of setup most of us can only dream of experiencing or replicating firsthand.

If anyone can explain why one might intentionally have two turntables, I'm curious.

I currently have two turntables in my main system. One costs about ten times as much as the other. I use the "nice" turntable and cartridge with my better records. I have some records that are less pristine that I still enjoy mostly for the music and would rather not wear the stylus on the expensive cartridge with those. Others have more than one because they sound different and may prefer one over the other with certain types of music. As someone else mentioned, some like to have a separate table for mono. I'm sure there are other reasons. 

One can own 4, really.  2 operational, 1 owned for grins, and 1 in 2 parts; table and arm.

All tangential.... Go figure. *L* ;)

Hats off to anyone that has the passion, and means, to build a listening room such as this, and fill it with outrageous gear. I'm in awe. That being said, I'm glad that when folks enter my listening room we concentrate on the records and CDs, as they are worth 10 times my decent sounding equipment.