I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.
Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.
The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".
"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.
While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.
Lovely sonata indeed. I’m sure you know it was not composed as a flute sonata. Composed as a violin sonata and transcribed/arranged for flute by others.
pjw, yes, Woody Shaw was there. Great shows and a lot of excitement in the air. The shows I attended were at the Village Vanguard, not the Village Gate. The recording in acman’s clip is from those shows at the Vanguard. Nice KC/FB!
Frogman that Thad Jones Mel Lewis video is excellent. Thanks for posting it.
Here is another of the great big bands, the Kenny Clarke Francy Boland Big Band.
Kenny Clarke and Kenny Ware play seamlessly on the drums.
Johnny Griffen plays a masterful solo on tenor and Idrees Suliman adds a short but powerful trumpet solo. I have about a dozen KCFBBB cd’s and they are all superb.
I"m a bit nuts , I don’t hear solos in the great big-bands . To me they are just one instrument . My mom said I ran to the radio to hear all the big-bands at age 3 .
They got "When Johnny Comes Marching Home " in the way a long serving soldier would understand ,WAR ..
I wasn't trying to start an argument, or even disagree with you. Just pointing out that jazz (like audiophilia) is a very, very small niche in the world, and has been for quite a long time. It happens to have been on my mind recently, and your comment brought it to mind, again. That's all.
In a year jazz sells a bit more recordings than Classical does in USA .
I don't disagree. I'm just saying that's like saying more people watch field hockey than watch race-walking. Not many people watch either one.
I could not say much about the state of jazz affair in scandinavian countries (as there is lot of new jazz coming from there) but as fas as Germany or Italy is concerned (I am ofthen there, in various places) jazz is not so 'popular' among 'younger' crowd. I spend lots of time in Berlin, there are few nice clubs where jazz is played live on regular basis, but the places are not that big and not really overcrowded (if anywhere else is different)
Even in Perugia, in Italy, the town which hosts second largest jazz festival in Europe (Umbria jazz) and known as university town, there are not much jazz going on, outside the festival times.
One should look at record sales to know for sure (or perhaps not, as everyone stream these days) to be certain, but looking at department stores, the classical department is always much bigger and with more customers, at least in ones that I have been.
Here is one link, my favourite and biggest record, book and movie store in Berlin. In fact the department with classical music occupies the whole floor, in the basement, biger than all the ohers combined. (click on the photo to scroll for more photos)
Sorry, I wasn't very clear. I didn't mean Copenhagen doesn't have enough people. I meant jazz doesn't have enough people. The "nation" of jazz isn't big enough to need a capital city. Very few people play it anymore. Very few people listen to it anymore, and most of us don't listen to the people who currently play it. We listen to the classics.
Great Al and Zoot. One of the great pairings in Jazz. The two were part of the famous “Four Brothers” saxophone section in Woody Herman’s band. Unusual in that the section consisted of three tenors and a baritone. Hadn’t heard this one. Thanks!
I have previously referred to our contributor Jafant as “the Jazz crier”. He was first to simply name an artist. I always took it as simply an acknowledgment of an artist worth exploring, or possibly an artist who is on his play list at the moment. Kind of an even more minimalist version of my own Jazz birthdays postings. Speaking of which:
acman3, your succinct reply to my question about brevity was appropriate, so I saw the humor in that.
But I realized I should not have included a simple album posting. Those typically seem to either answer a previous question or offer a recommended listing, at least when a link to the album/performance is included.
So I think now I should have ask why simply state an artist's name? What do we infer from that?
Mingus and Stitt. To the best of my knowledge they never recorded together. Hard to believe. Factoid: Stitt recorded more records as a leader than any other Jazz artist. An astounding 106!
I personally like to read a "justification" about an album.... Personal one, objective one, or all at the same time, a 2 line justification or a text...
This short or long justification make a recommendation personal like an article about the album....I personally focus on YOUR text to communicate WHY you love something...List without explanation had not much appeal for me...
Why not an explanation for most recommendations save the most evident one? Who need to read a reason to recommend the Beatles or Ella Fitzgerald? Save a personal one...But many known artists must be made more well known...Itr takes sometimes a motivation to listen to someone new in our world...
For example in my 2 line last post,i chose to be short, i spoke about the "pulse" behind all the trumpets summit music album.... If someone listen to this cd he will discover something rare or not so frequent: All the musicians dont play their part one after the other, they play PILOTED by a common pulse that make this album a masterpiece where all players blend whithout losing their personality at all and serve a higher goal....It is really a music piece not a public demonstration only...I listened to it many times ...
Perhaps frogman will help me to understand, confirm or infirm what i say.... He will be welcome because he KNOW how musicians feel playing together and how it translate into their dialoguing parts...
I can be wrong and all this fuss could be just my own making.or particular taste...
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