High Performance Moving Iron Cartridge Candidates?


I have decided to simplify my analog set up a bit. removed the fussy cartridges and SUT's, and am down to one external phono stage, and the internal one in my Trinov preamp. 

 

The Trinov preamp is MM only, and I don;t want to use a step up or headamp with it. So that means high output moving coil or a MM type cartridge. 

I read on these boards that a MI cartridge can have lower moving mass than a moving coil I would like to experiment. 

What are the viable candidates these days? I imagine most vintage ones do not have OEM styli available still. The Soundsmith ones are interesting, but get very spendy. This is meant to be a casual cartridge for me, but I will spend some money on it. Just not Air Tight or Koetsu money.  

What are other choices? Not typically fond of Grado I heard in the past. Otherwise I think Nagaoka is the only other one I know of?

neonknight

It’s always easy to add mass to any tonearm. Low effective mass is never an insurmountable problem. Also, to be clear, it’s high output MC cartridges that I haven’t liked, not high output MIs. The latter are most of my favorites of all time: B&O MMC1, Nagaoka MP500, Acutex LPM320.

And finally, the ART9Xi is an upgrade of the ART9.

 

@neonknight:

As @lewm just posted, adding moving mass to a tone arm is simple. Do it on the headshell for maximum efficiency. The lead weights for balancing wheels work splendidly, and if you need to add mass to your arm's counterweight to now get it to balance the weights will of course work there too  It's decreasing the moving mass of a tonearm that is difficult.

 

You have heard correctly, the Deccas (old) and Londons (new) require a medium to high mass tonearm. The reason for that is that cartridge's very low compliance in one of the two planes of movement (either lateral or vertical, I don't recall which). To get a resonant frequency in the desired 10-15Hz range, a low mass arm just won't due. 15 to 20 grams of moving mass is correct for the Deccas and Londons.

The cartridge puts out a very healthy 5mV! Not 0.5mV, or 0.05mV, but 5mV. You need only 30-40dB of gain from your phono stage. Two manufactures have included accommodations specifically for the Deccas/Londons: Schitt with a 30dB gain setting on their phono amp, and Zesto with a 15k Ohms position on the MM impedance switch on their Andros pre-amp. I asked George Counnas about that, and he told me it was for his industry friends who use Deccas and Londons in their personal systems at home. Why 15k ohms? Deccas and Londons benefit from a lower-than-47k impedance setting, anywhere from 10k Ohms to 30k.

As for servicing, I just emailed London (the company) about sending them a Decca 4RC (from the 1960s) to be rebuilt, and got an immediate reply. Stewart told me the company is working on all Deccas and Londons, Deccas dating back to models from the 1940's. My newly-acquired 4RC will be on it's way to England tomorrow. When it returns it will join the London Super Gold and Reference pickups already tracing the grooves in my LPs.

A word of mild warning: Deccas and Londons put out a LOT of mechanical energy, and are known to cause rattling or chattering in some arm bearing assemblies. For the same I would advise choosing an arm with a very stiff arm tube. The stiffer the better (that's what she said).

  

+1 on @bdp24 - LD are servicing ALL Decca cartridges from whenever and wherever. 

I’m actually using chewing gum on the headshell of my Reed 2A, in order to counterbalance my Dynavector 17D3. 

The Nagaoka MP-500 as others have mentioned is very good.  Clearaudio makes nice MM carts that have decent output.  I have a Soundsmith AIDA MK2 and like that, but its output is 2.12, maybe too low for the Trinnov?  I also have a couple of Shure carts with JICO SAS stylus.  The V15 Type IV can be really nice with the right phono stage.