Thanks Chakster! I received the nut and washer promptly, but did not get around to mounting it until this weekend, with help from my local dealer. Had to scrap off a bit from Swissonor’s arm board and the interior of the plinth, but was able to do so pretty cleanly and it does not show with the arm mounted. Got the exact pivot to spindle and arm height that we wanted. It sounds and looks great. Too bad the B60 base won’t fit. Actually, the washer didn’t fit either, but my dealer has some tools that could shave off part of the washer to make it fit. TD 124 has a low platter. Since this arm sits very low, I think it's a great match.
Help me with a Fidelity Research FR64 part
I got a mint FR64 tonearm at a great price. Sadly there was a catch it did not have the nut that fastens the arm at the base. It is a really fine thread (25 threads per inch) in fact my machinist doesn't have tooling for this.
so I want to know if anyone out there knows where I can get the said nut, or if they have one they can sell me - thanks
so I want to know if anyone out there knows where I can get the said nut, or if they have one they can sell me - thanks
55 responses Add your response
On its way to America, here is the image (genuine FR-64fx nut and washer). |
Did anyone ever find a reliable source for this part? I have an FR-64s with the large base (B60). However, I would like to mount the arm on my Thorens TD-124. To allow the arm to fit the 124, I believe I will need to buy a smaller base. I see a base on eBay for the FR-64fx...not sure if it is what I need. Any suggestions would be much appreciated. All the best, Mark @mcmprov You can buy it from me if you want the orignal nut from FR-64fx (which is much better than a nut from 64s). I have upgraded both 64s and 64fx with IKEDA VTA BASE and FR N60 stabilizer, so I don’t need those small original nuts anymore. |
As I said in my earlier post in 2019 above - You can buy them on yahoo Japan - "FR64S stabilizer" - original size or super heavy stabilizer Here is one here - https://yahoo.aleado.com/lot?auctionID=k513818611 original size as you are looking for. |
Did anyone ever find a reliable source for this part? I have an FR-64s with the large base (B60). However, I would like to mount the arm on my Thorens TD-124. To allow the arm to fit the 124, I believe I will need to buy a smaller base. I see a base on eBay for the FR-64fx...not sure if it is what I need. Any suggestions would be much appreciated. All the best, Mark |
Oh none taken - I'd be a total donut if I put something onto a forum and not expect responses. I'm in the UK. I have resolved the issue as @chakster donned his proverbial audiophile cape and sold me a base - in fairness he offered just the nut. As it happens you can still get the b60 replica from yahoo auctions in Japan - that said I was a tad bemused with how yahoo auctions works so I just did not bother with that. All said and done I am making my own adjustable arm mount using a micrometer adjustable lab jack |
Oh none taken - I'd be a total donut if I put something onto a forum and not expect responses. I'm in the UK. I have resolved the issue as @chakster donned his proverbial audiophile cape and sold me a base - in fairness he offered just the nut. As it happens you can still get the b60 replica from yahoo auctions in Japan - that said I was a tad bemused with how yahoo auctions works so I just did not bother with that. All said and done I am making my own adjustable arm mount using a micrometer adjustable lab jack |
Sure, we're talking about $500 B-60 replica, i have never owned the original but it's too expensive anyway. I must admit the price for the original B-60 is absolutely crazy, for the price of that original part alone i bought the whole NOW Lustre GST-801 tonearm with similar base with VTA on the fly! The screw in B-60 replica is made of steel (just like the whole replica), the diameter of the "nose" of the screw is 1.9 mm but the slot in the inner part of the base is slightly bigger, anyway the difference is tiny. However, the horizontal play between the arm and the base is big when the arm is attached everything is tightened. It is not acceplable for me, because i owned many tonearms and none of them have any play between the arm and the base. This problem with B-60 and 64s is easy to fix as i described. Hammering the screw "nose" from the top (this part does not have a thread on it) is easy, but must be proceed carefully. We're talking about a very tiny difference, so it's not a big deal. No need for the new screw. As i said the problem fixed and my FR64s in B-60 replica sits perfectly (no play between the parts anymore). |
This is "seat of the pants" thinking, but it seems to me that horizontal movement, if it is only evident when one applies considerable force in the horizontal plane, is not a deal killer. If the tonearm is loose and flopping left to right or etc in the horizontal plane, that is a problem. In my case, the tonearm can be rotated in the horizontal plane but only with considerable effort, and it never moves during actual use, where the drag on the pivot is only in the milligram range, so I decided to forego the repair process, for the time being at least. Colby Lamb offered to make me a new set screw with a widened "head" such that it tightly occupies the vertical channel in the B60 shaft and thereby prevents wiggle. But he needs the whole part in order to do the job accurately. I don't want to send it to Oregon just now. Thanks to Nandric et al for the alternative cure mentioned above; maybe I will try that since it takes only a few minutes and can be done at my home, 2700 miles from Oregon. After I screw up the screw (or lose it in the carpet or under my work bench), THEN I will have to send it to Colby. |
The difference between ''genuine'' and replica B-60 is $2000. The genuine cost $2500 the replica $500. However this difference is ''academic'' because the replica is not available anymore. The only problem by the replica is the screw which connect the outer and inner side of the VTA adjuster. As chakster and I discovered this can be easily corrected. One need to mark the center position of the screw and then squeeze the opposite sides with the vice in order to ''widen'' the ''nose'' of the screw, The screw is easily reachable by unscrewing of the, uh, ''stabilizer''. Then check for the horizontal movement and try again if not satisfy. But one need to proceed careful because the most own just one of those screws. So don't ''screw the screw''. |
Fidelity-Reseach B-60 is not just an arm stabilizer, but a VTA on the fly, here is one. Chak, that is not a genuine Fidelity Research B-60 base. The genuine B-60 does not have the screw in the top-plate and hence has no horizontal movement at all. I’ve had two reproduction B-60s with the surface screw and three genuine FR B-60s. One of my reproductions had horizontal movement whilst the other didn’t (different ‘fakes’). |
Dear geofkait, Your question ''if those German ingineers were the same which Russian send back after the war?'' is interesting. Russian obsession with secrecy is the reason that much is unknown about German-Russian military cooperation. To avoid limitations prescribed by ''Versailles treaty'' Germans organized their military development in Russia. What both parties learned from each other is not known but in 1950 about 170 German ''scientist'' were sent back to Germany. According to Korolev (Russian rocket scientist and leader of ditto program) they were useless to Russia. This means that Russians were further in technological development in rocket- as well nuclear science. Rockets are already used in the war as the so called ''Stalin organs'' . Japan was in its development first dependant from Holland which was the only state allowed in Japan. Their expression for ''science'' is translation of ''Dutch''. But Holland was to small for so many Japanese students. So they were sent to Germany to study mechanical engineering. Before or around the first WW. |
@lewm regarding the FR B-60 replica: I have solved the little play between the inner and outer parts of my B-60 base, i was very disappointed by fact that local machinists can’t make any parts like that because they don’t want to bother at all with indivitual orders for such a small part, too cheap for them, they all want money. After chatting with Nikola i realized his screws are the same size (just different material) and also must be fixed to get rid of the little play between the parts. A friend has fixed my screw yesterday for FREE by hammering the upper part of the steel screw to squash it a bit to expand the diameter of the "nose" of that screw which goes to the slot in the inner part to prevent the lateral movement. Now everything is solved and i have no play horizontal between the parts, the screw sits in the slot tightly and everything is just fine. I recommend this simple method to anyone with the same problem with B-60! |
Chakster, Until now, I did not know where the OP is located. Obviously, his capacity to interact with a machinist in Oregon is limited by geography. However, if a competent machinist knows the parameters (possibly M30X1.0), then the OP may be able to locate one to make this piece for him. OR, as "imhififan" has shown, he may be able to buy the part on line with no fuss. Or, has he contacted you to take advantage of your own kind offer? Cripes, I am in the US, and I buy car parts from the UK all the time; shipping is not THAT crazy, and the parts start out being cheaper and much more available in the UK than here. As to your own problem with the set screw in the B60, I suggest McMaster and Carr, which is also in the US, but the part is so tiny that shipping probably could be reasonable. Another source is "Mr Metric", on-line. And, Colby Lamb offered to machine for me a special set screw for my B60 similar to the improved version that Nandric had made in Europe. (I think that's correct; with a squared off protrusion at the end to engage the channel in the B60 and thereby eliminate side to side motion.) However, I have delayed that little project because I am so pleased with the FR64S/B60, as is; I don't want to take it apart and be deprived of its use. Or, you're closer to Nandric than you are to Colby Lamb. Funnily, I have bought audio capacitors from Russia and the Ukraine. Shipping to me from those locations is faster than from Canada. (Both the US and Canadian Customs Officials are fanatical; it seems they are not happy unless the border transit takes at least a week.) |
Shipping for that one nut/bolt/stabilizer/whatever is around $100 ($89 for Asia)? That is some precious stuff. http://yahoo.aleado.com/lot?auctionID=k365009451 |
@lewm As I mentioned at the top of the thread (I think), I DO know a machinist who most likely would make this single nut for the OP, if he is given the correct specifications to work from. That is Colby Lamb in Oregon, USA. I can provide contact info, if desired. What if the OP is not in USA like myself ? Colby made me a new threaded retaining ring for my SP10 MK3 platter; without that part it is impossible to fix the platter in place. I think the price one can pay for an important part of the $8k turntable is another story. I couldn't find any machinist who can make even one small screw for my B-60, they are all laughing at me, maybe if i will order 100 screws they can deal with it. With such a small nut it can be the same. They don't want to bother at all, at least in my town. Not every one is ready to work with such a small individual orders for cheap custom parts. |
Parrotbee, Metric pitch is not measured in "threads per inch". The inch is not a unit of distance in the metric system. However, one inch = 25.4 mm. The millimeter, etc, IS a unit of distance in metric. If you count 25 threads per inch, that would equate to one thread per mm, which is expressed as a (metric) pitch of 1.0. In the metric system, THAT is a standard pitch, albeit a "fine" pitch for an M30 part. (Metric has "coarse" and "fine", much like SAE.). The platter retaining ring for my SP10 Mk3 is M18X1.0, for another example. |
As I mentioned at the top of the thread (I think), I DO know a machinist who most likely would make this single nut for the OP, if he is given the correct specifications to work from. That is Colby Lamb in Oregon, USA. I can provide contact info, if desired. Colby made me a new threaded retaining ring for my SP10 MK3 platter; without that part it is impossible to fix the platter in place. It sounds like the needed FR nut may be M30 (30mm diameter) with a metric pitch of 1.0. |
Based on my prior experience with re-tooling for Fidelity research and technics products, I guessed earlier that it is metric. 25 threads per inch is just about one thread per millimeter, which is a standard for metric. The thread pitch is 1.0. Of course, I am not there, and I am not a machinist. I don’t want to step on his toes. |
Ummm... Chak, I was just trying to be funny. And I partially disagree with that definition of "thingamajig", having heard and used the term since the 1950s. It refers to an object the correct term for which one either cannot recall at that moment or one does not know. It's a useful shorthand that dates at least to WW2 military, if not before. (I learned it from my WW2 veteran uncle when I was a very young child.) I believe it to be American slang, but it could have emanated from England as well. I have never heard it used in reference to a person. By the way, it's a "nut" in the sense that it is threaded and the use involves its capacity to fasten two things together. |
google translate: "thingamajig - used to refer to or address a person or thing whose name one has forgotten, does not know, or does not wish to mention." Normally a nut is something that looks like a nut, i mean the shape of that metal part designed for use with conventional wrench to tight it up. And the FR nut from the stock armbase is exactly a nut. But the "Arm Stabilizer Nut" (aka N-60) is something much bigger and completely different shape. Something that often called Tonearm Stabilizer does not looks like a nut at all, it’s huge and superheavy, here is one original stabilizer for Luxman tonearm designed by Micro Seiki. I would not call it a nut. The mass, material and size specially designed/chosen to control resonance. Fidelity-Reseach B-60 is not just an arm stabilizer, but a VTA on the fly, here is one. |
I am becoming unstable just reading this thread. Or maybe the correct term is "de-stabilized". But then, I am not a "stable genius". Having spent a great deal of time in Tokyo, owing to the fact that our dear son has chosen to make Japan his home, I am often amused by the way in which the Japanese interpret and adapt the English language to suit the way their brains work. It would make perfect sense for them to conflate the English words "stabilizer" and "nut", when the term is used to describe a thingamajig that holds a tonearm in place. In some other context, it might be just a nut. Note, according to Uber, that they used both words, just in case. |
The original N-60 is in this FR catalog from the 80's. The name of that part is "N-60 Arm Stabilizer NUT" - this is written on the sticker on my original N-60 that i am using with FR-64fx tonearm. The original N-60 cost at least $250-300 This part is an upgrade over the stock nut the OP is asking for, i have two (one from 64s, another from 64fx). The nut from 64fx is bigger and better. |
Dear dover, this is the most strange argument against my proposition I have ever heard; that primary language in Japan is not English. If you read whatever translation from Japanese in English you can hardly understand what they mean (grin). However our discussion is in English and in this language one discriminate between NUT and STABILIZER. The function of an name is to refer to some object in the so called ''reality''. In this reality one can see the difference between an nut and an stabilizer. If ''form follows function'' then the function of both objects is different: nut is to fasten something to something else , stabilizer to , uh, stabilize with weight the involved construction. |
@nandric No, you miss the point - English is not the primary language in Japan, and that is the mistake you make. Perhaps you could write to the advertiser in Japan and explain why they are wrong when they call a nut a stabilizer, as they have done for the past 10 years that they have been selling them. As an aside they call a turntable "mat" a "plate" - you might like to correct them on that whilst you are at it. |
Dear dover, Lew is my English teacher so I agree with him and consequently disagree with you, ''NUT'' and ''STABILIZER'' are different ''animals'' despite the right picture on your reference. The name by your picture should be ''NUT'' and not STABILIZER. The later are much bigger and heavier. One can see the difference by comparing the original FR-64 NUT with B-60 stabilizer. |
Dear chakster, I also bought replica B-60 so don't need the original shaft (or ''base'') with mention NUT. However this (whole) part is also offered for sell on different sites. You can't sell this part without the nut or get the same price as with the nut included. I am surprised that you need such advise (grin). |
@lewm Dover, I certainly could be wrong, but I think the OP is looking for the large nut that goes under the tonearm mounting board and mates to the thread at the end of the vertical shaft of the FR 64.Yes, and if you google "yahoo japan" and "FR64S stabiliser" you will find exactly what he is looking for as I suggested. http://yahoo.aleado.com/lot?auctionID=k365009451 |
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I typed the word “BY” when I meant of course of Buy, in my post above. Most likely this happened because I am speaking into the phone, rather than trying to type with my big fat fingers. Dover, I certainly could be wrong, but I think the OP is looking for the large nut that goes under the tonearm mounting board and mates to the thread at the end of the vertical shaft of the FR 64. In any case, at least for my FR 64S, the counterweights are not threaded at all. I guess I am making another assumption that a stabilizer is a counterweight. |
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