A further indication that what I said in my last three posts is correct, that using the amp’s XLR connector with a suitably designed XLR-to-two RCA adapter cable would allow the amp to operate in stereo mode:
The OCM 500 has the same input connector configuration as the OCM 200, and like the OCM 200 it can be operated in mono mode via the XLR connector. And like the OCM 200 it has a rated power capability that is four times as high in mono mode as in stereo mode, for an 8 ohm load.
I found
this photo of the interior of the OCM 500. If you look carefully you can see that there is a purple wire coming from one of the RCA connectors and a purple wire coming from the XLR connector, both of which are connected to the same pin on an internal plug. And likewise for a red wire coming from the other RCA connector and a red wire coming from the XLR connector.
In other words pin 2 of the XLR connector is undoubtedly connected to the center pin of one of the RCA connectors, and pin 3 of the XLR connector is undoubtedly connected to the center pin of the other RCA connector. And the ground pin (pin 1) of the XLR connector as well as the ground shells of the RCA connectors are undoubtedly connected to the amp’s circuit ground, via the black wires that are visible.
So while the XLR connector is intended to be utilized in mono mode, it seems pretty certain that it could also be used in conjunction with a suitable adapter cable for stereo mode.
Also, the fact that there apparently is no stereo/mono switch on the amp further reinforces that conclusion.
Once again, though, since the amp provides RCA input connectors for two channels there would seem to be no point in utilizing the XLR connector in that manner.
Regards,
-- Al