@deep_333
Comedy of errors. I bought one from Amazon and it was dull sounding, nothing like people have been describing this unit. I exchanged it for a second unit which was pretty dull too. Then I discovered driving it from the U18 DDC through a very good coax cable I already had. It was a revelation. There were no problems with tonal balance on this unit (#2). Then I started thinking I could save money on this unit by purchasing a used one. I purchased a used unit (#3) for a good price. I had #2 and #3 here at the same time and realized #3 was quite bright. Here I made a mistake. I returned #2 and then lost interest in audio for a while. It's not my main hobby. I'm more interested in piano and composition. I only started critically listening to #3 recently and realized it was problematic. Way too aggressive on piano leading edges and such. #1 and #2 didn't have that problem. So I purchased #4 from Amazon just now, hoping maybe it would be like #2, and it has a different tonal balance problem... a sibilance region that's not well integrated with the midrange. #1, #2, and #3 didn't have that problem. Even #3, being very bright, had well-integrated treble and midrange.
@audphile1
The R26 has some wonderful qualities. The problems have been tonal balance. There was one good one. With C16 and the clock cable I got from Igor Kuznetsoff, prepared from Oyaide, the music details are phenomenal, the dynamic shading and macrodynamics are astonishing. And this before Igor does his mods. The problem is that the tonal balance is fatiguing.
I've listened to some expensive DACs. The problem with very expensive equipment is that it often has a distinct signature that detracts from the music. It's like they have to justify the expense by doing something unique.