You only need a preamp if you wish to add "color" to your sound. Otherwise, if you do not have these: a volume control and/or selectable input device will be enough.
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- 88 posts total
All gear has compromises including separates. I think making an assumption that separates always sound better is flawed today. When comparing separates to integrated amps today the sound quality differences will come down to design and execution, not the number of rectangular boxes. Huge power supplies with multiple chokes, big iron and coke can sized caps all in a separate chassis is no longer the only way to build a robust power supply for a preamp. Plenty of wonderful sounding tube preamps with low part counts and brilliantly designed circuits. Circuits with very short signal paths and low noise. Backert Labs comes to mind as one example. Well thought out design including internal shielding and chassis vibration control can also help mitigate the advantages of separates. Simplicity does bring the opportunity for sonic gains. Over the years I have heard integrated amps that are sonically superior to separates costing much more. I have also heard separates outperforming more costly integrated amps. It comes down to the design implementation of the pieces in question, not simply the chassis count. Also, we listen to complete systems and the synergistic impact of the Int amp or separates also plays a role. It seems to me there are many considerations.
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I have an MSB Discrete DAC with a Premier Power Base. it has a built-in volume control, so a preamp is unnecessary. However, at the urging of my local stereo dealer, he lent me an ARC LS28SE to try. I felt that it really added so little benefit that I returned it. However, when I moved up to an ARC REF 6, there was a marked improvement across the board. So does one "need" a preamp? I didn't, but putting the REF 6 in the system really bettered the volume control in the DAC. I think that it is a testament to the quality of MSB's volume control that one needs a 16K preamp to better it, but better it it does! |
@patl In my experience I’ve had less coloration (and more impact) when an active line stage is used. Passive controls are very susceptible to interconnect cable colorations; a good line state can eliminate that. The best place for a passive control, so as to prevent this problem, is inside the amplifier. |
I am not an engineer and speak from personal experience as well as from consulting several audio engineer friends. Zoltan |
- 88 posts total