Do speaker cables need a burn in period?


I have heard some say that speaker cables do need a 'burn in', and some say that its totally BS.
What say you?


gawdbless

Showing 4 responses by lanceo

"Break in" implies there is change, as in a perceived improvement.  To effect that change it follows there must be a physical change to a passive component operating well below it's design limitations... in this case the wire.  DON'T BE RIDICULOUS!  If your premise were true, we would be awash in "improvements" to Ohm's law.

Yes, I am an engineer.  No, I'm not closed minded.  Im' just not inclined to re-prove established facts whenever a doctor, lawyer or an executive banker takes notice of what I do, day in and day out. 
Ah, the the resurgence of the Post Modern World Vision.  My goodness, I hope not...  "The bounds of science can not contain the human mind" (Toynbee).  

Well hifiman5, your hero was also credited with the quote, Civilizations die from suicide, not by murder.  Seems to me that embracing a false reality, especially with how the physical world actually works, is far more threatening to social development.

So, back to the subject at hand: Do speaker cables need a burn in period?  Answer: Only if you believe the advertising written by Cardis, AudioQuest, SilTech, WireWorld and a few others.  I think Albert Einstein must have been in the midst of just this sort of conundrum  when he complained to a Princeton, NJ newspaper reporter, "Two things are infinite: the universe and human stupidity; and I'm not sure about the universe."
@erik_squires :  Much different situations effecting the changes in these devices: Speakers, being electromechanical devices, will change continuously (usually for the worse).  I remember an old Western Electric film (yes film, not a video) showing slow motion photography of an operating speaker.  It clearly showed how the driver's cone rippled and distorted throughout each excursion (even at low amplitudes).  It's no wonder that over time the light cone materials become less ridged and far less efficient at moving air.

Capacitors have been found to change in several ways: actual capacitance value can change due to physical changes in the shape of the dielectric material (the capacitor may swell) or because of changes in the properties of the dielectric, generally caused by decomposition due to heat-induced chemical changes.  The latter problem is especially inherent to the paper dielectric material found in those boutique audio capacitors we are so fond of.  Another change capacitors are prone to is leakage of DC current.  This problem, due to such things as chemical changes caused by the breakdown of the adhesives in the dielectric, will (over time) cause the capacitor to conduct enough DC current to cause changes elsewhere in the circuit.  This is especially troublesome when coils, like output transformers, crossover inductors, and speaker voice coils, are subjected to excessive DC current.

But, during all the degradation and chaos our sound reproduction systems are vulnerable to, there is one constant we can depend upon...the resistivity (the measure of current flow through a conductor) of the wire connecting the component parts of our machines, will remain remarkably constant.  This is probably why most of the reputable manufacturers will test and "burn-in" components such as tubes, transistors, and transformers.  Some will even burn-in passive components, like chokes, power resistors, and capacitors used in the signal path... but NONE of them burn-in the interconnect wire. 
I believe the content of this thread has reached a level of metaphysical drivel that I find untenable.  So, before I retreat to the comfort of the informed discussion on AudioKarma, I ask the new or casual reader to heed these few tips:

DO NOT purchase expensive power cords, interconnect cables, "spikes", or any other grossly overpriced darlings of the failing HiFi marketing establishment.  If you already have a system of any reasonable quality, you will be very disappointed with the impact of any perceived improvement from these marketing ploys.  Instead, put your resources (not necessarily money) into improvements to your listening room.  I can not think of one area more neglected than listening room acoustics.  In 95% of the systems I have heard, for some reason, form will out over function... leaving the components, especially the speakers, in acoustically undesirable locations.

INSPECT YOUR SPEAKERS.  I recently refurbished a pair of B&W 703 speakers.  The proud owner had no idea that there were any issues at all until I noticed (through his open patio door) a clear disparity between the channels in the mid-range.  What I found on close inspection was an open circuit (bad capacitor) in the crossover.  This was a worse case situation, having a non-functional driver and not being aware of the problem, but it points out that these machines need periodic attention.  Keep them clean.  Nothing will destroy a set of fine speakers faster than dirt.  Drivers move a substantial amount of air in a days use and dirt pumped between the voice coil and pole-piece will make short work of any driver.

KEEP YOUR INTERCONNECT AND SPEAKER CABLE CONNECTIONS CLEAN AND TIGHT.   Bad connections will not only cause a loss in amplitude and audio quality but, this problem can actually damage your equipment.  Class A devices MUST operate into a load at all times.  If the load is removed for any length of time... your output transformers will perish!

DO NOT AQUIRE ANYTHING YOU HAVE NOT AUDITIONED FIRST!  This should be self explanatory.  And, if at all possible, audition a new device in your own home, with your own system.

Best of Luck Everyone,
LEO