The '61 Village Vanguard box is outstanding! Nice choice Donjr.
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In the past I would study with "Black Pearls" playing at a low level in the background. It always put me at ease. When friends who are not familiar with JC ask for a suggestion on where to start I would always play the song "My Favorite Things" on vinyl through vacuum tubes. If that kept their interest the next album would be "A Love Supreme." I do this because that is how JC was introduced to me years ago. I went on a mission buying his ballads and picking the brains of other JC fans who would share their insight on their favorite albums and songs. |
In case anyone wonders where it all began. Do I hear a bird? http://m.youtube.com/watch?v=MGnY-axUH0U |
Opheus10, If Trane were removed you'd still have the immense talent of Miles. Make no mistake I love and admire both of these extraordinary musicians. Miles did just fine pre and post Trane. They like all great artists had their own approach and interpretation. They were suberb together as well as separately. Charles, |
Jetrexpro, I saw Trane live, and McCoy Tyner, and Elvin Jones both gave up on Trane, and stayed with each other. Trane went on one of his "excursions" as he was prone to do live. Although me, Tyner, and Elvin Jones had no idea where Trane was going, the professional musicians I was seated at the table with knew everything; they even explained it to me, but I still didn't understand. |
There is an interesting story about the recording of Giant Steps. Coltrane gave out the music ahead of time to the musicians since he knew it was a difficult tune to improvise over. The pianist didn't practise. When listening to the recording you can hear the pianist having problems and eventually gives up and Trane takes over. I am not laughing because as Frogman states above, they are very difficult changes. |
Celebrate indeed! The full significance of that record is not always appreciated. The tune "Giant Steps", and a jazz player's ability to convincingly play over it's harmonic changes, is still one of the main litmus tests for credibility as a modern jazz improviser on any instrument. That tune literally and singlehandedly changed the face and direction of jazz. Amazing! http://vimeo.com/6428820 |