Schubert, good to know. The Silverline Sonatina IVs and these Genesis 7.1f demos are my short list. Haven't heard either one, but have owned and love other speakers in their lines.
Budget $3000-3500 new or used
I listen primarily to acoustic jazz, chamber music, singer/songwriters, new and old folk, and love stringed instruments. I also love solo piano and female jazz vocals, which can sound harsh on the wrong speakers in the wrong room. I love every model of ProAc speaker I have ever heard and currently own the D13 small floor standers. However they are not great in my big listening room, which is 21 x 17 ground floor rec room, wall to wall carpeting on cement slab, some GIK Acoustics bass treatment columns on back wall. Room is well damped with floor to ceiling bookshelves of books, CDs and LPs. I have BAT VK55SE mono blocks and VK32SE preamp, with PS Audio DAC2 and transport, Marantz SACD player, Linn LP12/Lingo/Linto, and Squeezebox Touch. I have been happy with the sound in my room for 16 yrs. Recently my Genesis 500 speakers developed a problem and I have to change. I have listened to a few speakers in my price range locally but most local salons focus on home theater not 2-channel audio and so far the only speaker I heard that remotely satisfies me is the new Focal Aria 926. I was not able to hear the more expensive Be floor standing model but heard the Be stand mounted monitors and did not like it as well as the Arias so perhaps the Be tweeter is not for me even if I could afford it. I also compared the B&W CM9 and CM10 (I owned 801 Series III before the Genesis) but still preferred the Arias. I do NOT like the B&W Diamond tweeter models. I have a REL Storm III sub I can use if necessary but prefer not to if I can get away with it. I am tempted to buy some new Silverline Sonatina IV's or some used older Sonata II's offered in my price range, but have never heard either of them. I have no idea how they would compare to the Focal Aria 926 that I also liked. I know neither is comparable to my old Genesis but I am no longer in the market for $15,000+ speakers. I know I like the Silverline sound from the tiny Minuet Supremes I have in my living room with an ARC CA-50 tube integrated amp. I am also curious about the various Zu models available used in my price range, but again have never heard Zu, only read about them. People have recommended KEF and Joseph Audio to me but I have never heard either of these brands. It's foolish to buy speakers you have never heard even in a shop, I know. Can I take a chance since I have some information about the Silverline sound? Has anyone else heard the new Focal Aria line?
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Buying speakers unheard is always a dicey proposition. I only consider used speakers which I have not heard if the seller is local and I have a chance to audition. Sure, you could always resell them if they do not work, but buying and selling speakers just for in home auditions is too much work for me. I'll do it with cables, preamps, even amps, but if I'm buying 200 pounds worth of speakers, I want to hear them first. Of course, as usual, YMMV. |
This flies in the face of about 98% of the audiophile press and my own experience, having grown up with a professional cellist, and having owned speakers with phenolic ring, silk dome, doped fabric dome, fabric-damped titanium dome, and finally Maggie quasi-ribbon tweeters in the Mag 1.7s, whose success prompted Magneplanar to redesign the rest of their line. Of course, I respect Schubert's opinion and am sure he has plenty of reason to have formed it. But I've found these Maggies (which depart significantly from previous dogma about Maggies) to be very revealing of upstream components and cabling. I got a complete change of personality from switching amplifiers. I'm currently listening to Lynn Harrell's rendition of Dvorak's Cello Concerto, and if there's anything not lacking, it's the string sound. I tune up my ears on this matter regularly with yearly subscriptions to the Seattle Symphony. I don't want to get into a pissing contest; I only urge you to give a listen to the latest iterations of the Maggies. If your room is right for the 1.7s, use the rest of your budget for a pair of Magneplanar's DWM's or some other quick subwoofers. I use a pair of small, enclosed, powerful ones with mine and they always come through. |
Here's a random thought. Although a just a bit above your budget, there is a pair of Linn Akurate 242 for sale here on A'Gon right now (no, I am not the seller). HUGE value even at the asking price of $4,500. I had the Akurate 212 (the monitor) for several years and your musical tastes should shine with the Akurate line. That said, I cannot comment (don't know) how your amps would mate with them, and obviously that's a key consideration. I drove the 212s with SS horsepower (McIntosh then Pass), but always had tubed pre-amps up front (CJ then Einstein) and the Linn Akurate showed beautifully. I used a sub with the 212, the 242 full range might be just the answer for you. |
Viewing current listings, the ones that would be tube amp friendly and full range are: Alon/nola V mk3 for 2200.00, Silverline Sonata 2 for 2000.00 and Coincident Super Eclipse 3 for 3000.00. Would you consider buying used, unseen and unheard? Those listings look entertaining, at least to me. It might be worth a gamble. I also subscribe to the UK magazine Hi Fi Choice. In the current edition they review the Magnepan 1.7 powered by a 55w tube amp from Canor electronics and found it was an entertaining match. You have double that amount of power. |
I have a local dealer with Maggies. Perhaps I will give them an audition, haven't listened to them since the Tympani IV in the 80's (which I loved). I wonder how they would fare on my BAT mono blocks, possibly not enough power. Right now I am making do listening to my sweet Silverline Minuets in the living room--powered by a new Decco65 I just picked up here for a song. Wow, seriously good sound. Maybe I will forego my "big" system. Sigh. |
The Genesis Model 500 is a tough act to follow under the best of circumstances, and for $3.5k it's really tough. My recollection is that it's poly-directional over most of the spectrum, with a rear-firing tweeter, dipole midrange, and then essentially omnidirectional midbass and bass. Does that sound right? I've worked with bipolars for several years now, and they are sort of like your Genesis 500 in concept if not in execution. Ime that richness and openness is not going to be replicated by a conventional monopole speaker. One possibility is Maggies, which unfortunately tend to be on the power-hungry side, but give 'em some breathing room and they can sound magnificent. Maybe Emerald Physics? Equalized dynamic dipoles, I was a dealer in the early days under Clayton Shaw. Used Shahinians, perhaps? How much would it cost to have your Genesis speakers restored to service? I'm sure you already looked into that, but maybe a non-servo bass section is an option. Best of luck in your quest, Duke dealer/manufacturer |
Sarah, you say that your Genesis 500 speakers developed a problem and that you have to change. Have you looked into repair? Possibly from a service such as Millersound? You may find it cost less to get back to the sound that you have enjoyed for the last 16 years. Cheers, John |