The primary pass, I began with the Bolder and played three cuts: Martin Sexton, Sway Dylan, and a sweet minimal number off the new Blue Note jazz organ gathering: "Magic Risin" (not the shaking Entryways rendition). I then, at that point, changed to the MC2 and stressed to hear a distinction. Gee, Sexton’s guitar strings appeared to slap a smidgen all the more plainly, bass appeared to be somewhat more point by point, voices appeared to be a piece less hidden.