Anyone hear Robert Plant's new release, Carry Fire?


I really like the music but the engineering sounds really strange to me. Anyone else feel the same? Perhaps it is just my system but I really don't like the engineering by Tim Oliver.
falconquest

Showing 5 responses by bdp24

I will say that I met Daniel (I know the guitarist in Henry Rollins’ road band, whose own band did some work with DL), and he was a very cool guy, no attitude what-so-ever. There are plenty of guys I can’t say that about. He did an instore performance at Amoeba Music in Hollywood (employing the aforementioned guitarist and his band as his), and was helping them set up their gear. A lot of very successful and famous musicians would not do that, believe me.
Oh yeah lj, Trap Door may be my fave of T-Bone's too. I got to see him perform solo in the Sony Records office in L.A. in the late 90's, just him with an acoustic guitar. Intimate! Sam Phillips was with him, but didn't sing any harmonies. I didn't like his later records, on which he pretty much stopped singing melodies, just reciting words instead. After his own records stopped selling, he got into producing others, at which he is real good.
Ah yeah lj, T-Bone's s/t album on MCA is fantastic both musically and sonically. I used that album as demo material for years. Did you know it's a digital recording? Proves it's possible! His Truth Decay album is great too, but very different musically---more singer/songwriter to the s/t album's Bluegrassiness. The Audiogon dictionary doesn't consider that a word. ;-)

Man, what is with Daniel Lanois? The productions of his sound like they were done at the bottom of an empty well. I hate what he did to Dylan on Time Out Of Mind. Did his success influence the sound engineers now try to get?

pops, I really like T-Bone's production, especially musically. His Truth Decay album (Takoma Records---be sure and get the LP mastered and pressed by Chrysalis Records. The mastering engineer who did the Allegiance Records version unknowingly cut off everything after the "false" ending in "Driving Wheel"!---the coolest song on the album, a Rockabilly) is really, really good. Not much of a singer, but a master of the song.

Too bad Plant didn't have either Dave Edmunds, a close friend of his, or Buddy Miller (whose albums Plant has previously appeared on), produce him. They both make great, organic sounding recordings, especially Buddy.