Silvergsx,
You need to tell us about your phono stage and its gain and impedance characteristics before anyone could recommend a cartridge. Might be wise to start a new thread (or search old ones) for that. In general, as several have stated, a line contact or micro-ridge stylus will provide a quantum leap in HF clarity and reduction of inner groove distortion.
I agree with Marakanetz that a P5 may not be an upgrade vs. your present rig, though it will certainly be very different.
Ugabevo,
Those are interesting results. Your speculation that the least costly system played that LP most acceptably due to lower resolution may be correct, in a general sense.
Was the amplification in that system entirely or primarily solid state? Were the tweeters a soft dome type? Were the interconnects and speaker cables either very entry level and/or shielded? Was the TT driven by a rubber(y) belt?
Any of the above can contribute to the smothering of subtle harmonic information. They often don't so much distort HF harmonics as simply bury them, leaving a clean but often colorless presentation. Strong fundamentals but little individuation of instruments and voices. I could name names, but I still have a few friends left here. ;-)
A system that's good enough to pass most HF harmonics but isn't quite good enough to do so without distortion might easily sound worse. Frustrating hobby we got here...
You need to tell us about your phono stage and its gain and impedance characteristics before anyone could recommend a cartridge. Might be wise to start a new thread (or search old ones) for that. In general, as several have stated, a line contact or micro-ridge stylus will provide a quantum leap in HF clarity and reduction of inner groove distortion.
I agree with Marakanetz that a P5 may not be an upgrade vs. your present rig, though it will certainly be very different.
Ugabevo,
Those are interesting results. Your speculation that the least costly system played that LP most acceptably due to lower resolution may be correct, in a general sense.
Was the amplification in that system entirely or primarily solid state? Were the tweeters a soft dome type? Were the interconnects and speaker cables either very entry level and/or shielded? Was the TT driven by a rubber(y) belt?
Any of the above can contribute to the smothering of subtle harmonic information. They often don't so much distort HF harmonics as simply bury them, leaving a clean but often colorless presentation. Strong fundamentals but little individuation of instruments and voices. I could name names, but I still have a few friends left here. ;-)
A system that's good enough to pass most HF harmonics but isn't quite good enough to do so without distortion might easily sound worse. Frustrating hobby we got here...