40 years of fitting cartridges to a variety of arms, I'm feeling stumped


Sibilance and distortion on the last track.
 
I have had no problem with setting-up numerous Ortofons, 2 Dynavectors, Yamaha MC-1S, Goldring 1042, Sumiko EVOIII BPS/Blackbird, Denon DL-304/DL-301MKII/DL-103R, Nagaoka MP-500/MP300. But this.....this Soundsmith ’The Voice’ - it’s beating me up.

I have tried what seems to be every conventional and unconventional means to getting it just right on the VTF, Overhang, Alignment, Azimuth, VTA and anti-skating. I haven’t given-up. There has to be a way - unless I either have the wrong arms (SME 309 and Audiomods Series 6) or I lose what skills I had in the eye-hand co-ordination dept.

I have read every word of Peter Ledermann’s instructions on the USB key and watched the videos. Still struggling.
I shall persevrere.
Any pearls of wisdom are welcome.

regamortis

Try one of your other cartridges and if it works fine, then there could be something wrong with The Voice. Check the cartridge with a microscope or loupe to see if there is something obvious - if not, send to Soundsmith for inspection. Usually if you're off by a little (when aligning the cartridge), it shouldn't make a huge difference in sound quality.

You can be off by quite a bit and it will not result in such gross problems as distortion and excessive sibilance (evidence of mis-tracking).  It is most likely problems with the cartridge.  Two arms, other cartridges working with the arm, what else could it be? 

I've only heard this with a healthy cartridge when the arm was extremely cheap and crappy--my guess is that the whole thing was resonating like crazy.  The owner wanted to temporarily use a really cheap table with his new Ortofon PW cartridge.  The combination didn't work and there was excessive sibilance toward the end of the record.  A cheap cartridge worked in that arm with no problem.  The expensive cartridge probably has lower compliance which made it less compatible, and because lower compliance high end MC cartridges tend to feed a lot of vibrational energy into the tonearm, the arm must be up to the task ((rigid, good internal damping, tight bearings that don't rattle, etc).

My only guess, given your skills, is anti-skating. 

How do you set it? Anything seem different with this cartridge?

You could try using inner grooves to set it, then play, problems on last track persist? That will tell you something.

Also, given your skills, I agree, send it back to them, have them check it out.