12au7 tube?


Looking for a good 12au7 (JJ ecc802s currently). I know the Telefunken ECC802s is the holy grail, but it comes at a price that is just too steep for me to justify. Many will recommend Mullard, but I always find them a bit too "wooly", lacking in definition. They're going in a Mastersound 845 Compact.

 

What tubes would you recommend that fits between the clarity of the Telefunken (without the price...) and the Mullard? I don't mind spending a bit of money on a pair (let's say max $500 for the pair, prefer to be lower if at all possible).

128x128audiojan

@inna rumor is PSvane makes many of the Ray’s tubes.

Right, but these days who else could it possibly be? We could pretty much guess that every time, and be right :) 

  • New Sensor is doing just fine with its own fleet of sub-brands, and probably doesn’t want to encourange new brands (beyond a simple re-screen of labels) to compete with those.
  • JJ / Czech can do it, but you can spot their trademark spherical glass domes from a mile away, and many of us avoid them out of habit & experience.
  • Western Electric is too busy trying to establish itself as a high end option, trying to expand its tube offerings (very difficult w/ necessary tooling), and pushing its amp line
  • Shuguang is gone? TJ Full music has always been small scale.

marco1, I see. I just don't want any Asian tubes in my amp, or current production Russian ones, for that matter. I am a NOS or good used Old Stock kind of guy. I just have to use earlier production Svetlana/SED EL34 "Winged" because Western vintage tubes are too expensive, when you can find a matched quad.

mulveling, it's interesting what you previously said about power tubes influencing sound more than signal tubes. I remember conversation with Kevin of VAC and he said exactly the opposite. I myself have no opinion, I didn't compare power tubes, but doing a little of tube rolling with 12AX7 in the preamp and 12AU7 in driver slot reveals big differences.

 

I remember conversation with Kevin of VAC and he said exactly the opposite.

I generally agree with what Kevin says, but we're all individuals and different in key ways. Anyways, he's almost certainly referring to rolling different makes of the same type. Meanwhile, I'm much more willing (than most) to play fast-and loose with rolling different types into power slots, as long as it's guaranteed safe. E.g. KT88 versus KT90 and KT120 or KT150. Depending on amp, you can even mix more different types in there, like EL34, 6L6GC / 7581A, etc. 

This will certainly make many cringe (maybe Kevin too), because the fact is an amp can only be "optimally" designed for the parameters of 1 output type. That's why I called it "playing fast and loose". But here clear as day, I can hear one of my VAC amps (450S) sounding far better with KT120 than the KT88 it was designed for - in THIS room, on THESE speakers. Meanwhile, another VAC amp (Master 300) sounds far better with the GL KT88 it was designed for, than those same KT120. The sonic difference from these KT88 versus KT120 rolls is far greater than any small-tube rolls. KT150 does the same again, but there I've always found the results too bass-heavy. 

mulveling,

I see, now I understand what you were saying. So you were both right.

Mulveling, good points on the 6SN7’s.

 Audiojan, reason why I think it’s important for one to hear the tube in ones own system is because what sounds good in someone else system may not sound best in yours and you might have a different preference. Example, many people like the 1940’s Metal base Sylvania 6SN7GT or 6SN7W. I really don’t, I prefer the Sylvania 1945 6SN7W short bottle because I find it sweeter and nicer than the more expensive and sought after metal base (taller bottle) which I find a little too analytical for my taste. The 1945 Sylvania 6SN7W short bottle and the 1951-53 Sylvania 6SN7GT Chrome Domes are probably my favorites from those type tubes. Mulveling, you mentioned Shuguang and JJ Czech in your post. Because I use so many EL34’s, I’m using 8 Shuguang in my CJ Premier Four and in my CJ Premier 1b, using 12 JJ from Slovakia Czech. My VTL all have 16 Russian EL34’s.


Inna, I never thought the Svetlana/SED EL34 "Winged" were anything special. And even though people claim they are a close copy of Mullards, they’re not. Not even close. I’ve found a few EL34’s that nicely outperform the Svetlana tube. One of my personal favorite EL34’s are the 1970 Tesla brown base. Very revealing and beautiful sounding tube. I like it in some ways better than my Mullards.  The Svetlana winged C doesn’t compete with these caliber of EL34’s even though people have falsely claimed so. I mention in a previous post, I would only use inferior tubes in my equipment because it might be too expensive to use premium tubes. On my amps that ONLY require 4 EL34’s, I have on most of the 1970 Teslas, 1960 Mullards or 1960 Amperex XF2.