2. music
  3. 1323205681

"Audiophile Jabberwocky"



"A copy can never be better than the original". This has all the logic in the world written all over it, except for one tiny flaw; "copies" are all that audiophiles ever deal with.

Using vinyl as an example, the black disc is the only thing that's original. The cartridge copies something from the disc, sends it to the phono pre; which makes a "copy", and sends that to the pre; which makes a "copy" and sends that to the amp; which makes a "copy" and sends that to the crossover; which makes a "copy" and sends that to the various drivers; which makes a "copy" and sends that to the room; which makes the copy that goes to your ears.

If we assume that the cartridge copy is the original, it can be improved on by the phono pre. Or maybe we'll consider the "line out" to be the original. If we assume that, it to can be improved on by a good 2 track reel on playback.

I recorded Yma Sumac from a record to my 2 track reel using EE tape. I have synchronized the TT and the reel so that I can flip back and forth while listening to the same song. Although you can't hear what I'm discribing I hope this music will help. This was when Yma Sumac was strikingly beautiful and had a vocal range that covered five octaves. The first "Youtube" example displays her striking beauty, while the second one is my favorite.

http://www.youtube.com/watch?v=G-6eKroZeIg&feature=related

http://www.youtube.com/watch?v=jUOcvYNSRp8

Yma was able to sing notes in the low baritone register as well as notes above the range of an ordinary soprano, her range was from 123 to 2270 HZ. Both low and high extremes can be heard in the song "Chuncho" (The forest creatures). In "Chuncho", she was able to sing in an eerie "double voice".

http://www.youtube.com/watch?v=1KprLT-JxPY

When I went from the original record, to the reel playback with EE tape; the difference was not at all subtle. The reel playback was like an upgraded system, (the copy) captured her dynamic range much better than the original record. Although this has been stated many times by many people, the "Audiophile Jabberwocky" holds public opinion.
orpheus10
tpreaves's avatar
tpreaves
2,682 posts
 
Everything is a copy.
glory's avatar
glory
1,614 posts
 
But can she sing Yellow Submarine???
rockvirgo
587 posts
 
With the exception of recorders, audio equipment doesn't copy anything. It reacts to electrical impulses embedded in the software. I'm not surprised you could make a more euphonic representation of the impulses. Strictly speaking though, your deviant copy is a corruption of the original. It may sound better but it is not a better COPY. Exactly the reverse is true, its variance to the original defines it as a poorer, less than optimal copy.
orpheus10 OP
8,668 posts
 
Rockvirgo, you don't know squat about electronics, do you?
mapman's avatar
mapman
21,873 posts
 
There is no rule that says the original is always better. That's an audiophile myth that leads to tone controls, signal processing etc. being reviled. Many enhancements are possible during the copy process that may produce preferred if not necessarily better results. Anybody who has ever "enhanced" a digital image can see that. Its the same with sound. A copy is usually somewhat different. That may be for better or for worse. The determination is often a subjective and not an objective one, unless perhaps what is being copied is a test or reference signal of some sort and not music.
More to discover