$18k Tube preamp for large scale symphonies please


hi, can anyone suggest tube preamp that's good for handling complex music & large scale symphonies recordings in studio/ theatres? i had audition some: Aesthetix, CJ ,Modwright, Audio Note, ARC but all seems lacking in some ways and definitely not enough air at top octaves and instruments separation/ spaciousness. all dealer agrees that some pre is good at certain genre of music and sound Great even more if music is relatively SIMPLE like vocal, jazz, light acoustic, slow rock and maybe pop songs. Yes i know personal taste varies as well: bass strength & high freq. extension etc. & gears matching too. could anyone share their expreience so i can narrow down a list? my music typically: Van Hellsing & Princess Mononoke movie soundtrack. hope dealers provide constructive comments. Thanks All in advance. -phil
philipwu
Hi, Charles, yes, I heard the first generation of it in my system, however, the later version to my ears, using the DR version of the 6H30 tube is substantially better.
I am unclear whether the OP was looking for a line stage or a full-on preamp that included phono. In another discussion, the point was made that given the cost of the separates plus the level of interconnect required to connect the two components, one could buy a pretty stratospherically priced full (with phono) preamp. Buying used, of course has its advantages too.
Regards,
Philip,
It’s really hard to make any specific rankings. As Whart says, synergy with your power amp and speakers is important. All too often people forget that preamplifiers and power amps need matching especially in terms of gain. Also knowing the efficiency of your speakers helps too. If they are high efficiency, be aware that circuit noise and gain issues can be a real bug bear. That’s why I suggested the TRON. Not only do they sound really good, they are made to order. Hence you will be able to get a preamplifier made to suit the rest of your equipment. That’s important if you’re going to drop 18k!
Good luck.
Charlie
HI Whart, i'm only searching for line stage only. Lucky me, no additional cost for the phono. BTW, i'm using Martin logan speakers and their sonic are rather neutral, perhap slightly warm\bloom from the 400hz down which i experience when compare to other ML speakers which using a smaller 8" woofer.
Topoxforddoc, i have extensive experience with ML electrostatics so i'm not worried about gain issues too.
i fully agreed that best is to hear it in my system, however, i have no amp and have not decide which one yet, that happen to be the bad part, or perhaps could i say i also have the luxury to match up with tube pre later for better synergy performance, and i know how my Spire would sound.
Anyone have better approach to solve the dilemma i'm in ? thanks
Philip: not sure I have much more to add, since I don't know what amps would sound best with your MLs. (I used stats exclusively from around 1974 until 2005 so i know why you like them, I do too, but I don't know what amps work and sound best with yours). Myles Astor, who you may know of- I don't think he posts here, but is on WBF, is a long time ML owner and as a reviewer, I think has been through a variety of amps, you might ask him. Assuming that they like tube amps (and your woofer is self-powered), there is something to be said for same manufacturer synergy, e.g. VAC-VAC, or Tron-Tron. Of course, that's a 'rule' to be broken too. If you are buying new, I would imagine a dealer would be delighted to loan you this stuff for home trial if the prospect is a sale of amp and preamp. Where are you located?
Phillip.
One point I should mention is the the Coincident can be ordered with either 10 or 20 db of gain. I initially had the 20db gain version which was too much(my amplifiers are sensitive,0.7v, also speakers are 94 db sensitive/1 watt). I exchanged for the 10 db unit and it`s a perfect fit,just something to keep in mind depending on what amplifier you select.
Regards,