I had a Cortese matched up with my Vosne Romanee and it is a very musical amp and seems to be a good value for the money. There are better amps out there including some others in the Shindo line. I ended up with Serious Stereo 2a3 monoblocks which outperform the Cortese in every way but of course they are more expensive. I enjoyed my time with the Cortese and am sure you will too.
Shindo Cortese - First Impressions
Yesterday, I picked up my new (to me) Shindo Cortese from Matt at Pitch Perfect Audio in San Francisco. Even though the amp was a trade-in from another customer who was moving up the Shindo line, It looked perfect and like new in every way.
I've only listened to the amp for 4 to 5 hours. Too soon for a long term review, but enough for a quick first impression.
For those who might not be familiar with it, the Cortese is 10W/ch amp based on the industrial strength Siemens F2A tube and it's an SET (Single-Ended Triode) design.
On the 1-10 Alberto's Audio Deliciousness Scale, this amp is not a 10, not even an 11, it's a 12! Seriously!
I never thought a manufacturer would have the "bollocks" to create something that is so insanely delicious and so forgiving that it has to polarize anyone who listens. The Cortese does not walk a fine line between analytical and musical (to use some common audiophile terms) -- it steps over that line, takes twenty steps toward musical side, drops its trousers and moons anyone and anything on the other side.
After an hour of listening, I realized that this amp is voiced the exact way I would voice an amp if I knew how. Warm, liquid, continuous with a round and tuneful bass that belies its measly 10W per channel, a midrange to die for (but that was expected based on the SET design) and a treble that ...
... Ah, yes, the treble. At first I though "There's some trouble with the treble." For the first time in years, I found myself (me of bat-like-ears and super-sensitivity to harsh or excessive highs) thinking "I need more treble." The treble was there, smooth and extended, but a bit too "timid" -- cymbals sounded as if the drummer was holding back a little, the upper harmonics on horns and strings were also a bit muted. It sounded delicious - but too delicious and forgiving.
But I knew that there's no way this amp would have been one of Stereophile's Art Dudley's long term favorites -- or none of the other reviewers -- if the treble was this gentle and forgiving.
I knew what was "wrong": My entire system (including cables) and room treatment, had been chosen and designed to deal with harsh or excessive treble from lesser recordings. I had accepted the fact that I needed tone controls to tame a good 30% of my favorite recordings. But not with the Cortese. The treble on this puppy is so smooth that I adjusted the tweeter cross-over on Tannoys from -1.5dbs to +1.5dbs! Now the treble was just right for my tastes. It might still be a bit too gentle and rolled off for others, but keep in mind that everything in my system (including the Tannoys) is very forgiving and I have a feeling that with more neutral speakers it's going to be right for almost everyone (OK, perhaps not for people who prefer the sound signature of manufacturers like Krell.)
There's not much to add about the mid-range. It's your run of the mill, magical SET sound. Perfection to my ears.
The bass was the most pleasant, although somewhat anticipated, suprise. The Cortese has the most tuneful and extended bass I've ever had in my system. I had some thoughts of getting a larger pair of Tannoys and I kept taking the subwoofers on and off my system. With the bass from the Cortese any desire for larger Tannoys has evaporated, subs will probably go to the garage next week - who needs them. I might even move the speakers further away from the wall since I moved them closer to get more bass with the Montille. The depth and "chest impact" of the bass is one thing, the other is the tuneful aspect of it. Every bass note is distinct - the opposite of one-note-bass.
Soundstage: wider but also about 2' taller. I love a high soundstage. Even though the speaker drivers are less than 3' off the ground, the sound stage is easily at 6-7'. This means I can sit on my chair and look "up" to the music as if I was in a concert. I love it!
That's it for a first pass. In the days and weeks to come, I will play around with different cables since now I no longer have to worry about having cables that are too resolving.
If I sound ecstatic and overjoyed, it's because I am. I knew that this amp was a step in the right direction for me. I knew it would be more delicious than any other amp that has graced my system, but I was not prepared for an amp that said:
"Here Alberto - Mr. Delicious - try ME out, I am just for you. You can now play ALL your records and forget about tone controls and loudness and subwoofer and bigger speakers. I AM your tone controls. I AM your loudness. Pack your subwoofers, forget bigger speakers for your little room. I have it all. Just for you my friend. Enjoy me ... and spread the word to other delicious sound hounds."
OK, enough writing. I am going to forget that today is a spectacular sunny day in the SF Bay Area and go do more listening. The pull of the Cortese is stronger than the pull of the mighty sun!
Alberto (Delicious Sound Hound)
I've only listened to the amp for 4 to 5 hours. Too soon for a long term review, but enough for a quick first impression.
For those who might not be familiar with it, the Cortese is 10W/ch amp based on the industrial strength Siemens F2A tube and it's an SET (Single-Ended Triode) design.
On the 1-10 Alberto's Audio Deliciousness Scale, this amp is not a 10, not even an 11, it's a 12! Seriously!
I never thought a manufacturer would have the "bollocks" to create something that is so insanely delicious and so forgiving that it has to polarize anyone who listens. The Cortese does not walk a fine line between analytical and musical (to use some common audiophile terms) -- it steps over that line, takes twenty steps toward musical side, drops its trousers and moons anyone and anything on the other side.
After an hour of listening, I realized that this amp is voiced the exact way I would voice an amp if I knew how. Warm, liquid, continuous with a round and tuneful bass that belies its measly 10W per channel, a midrange to die for (but that was expected based on the SET design) and a treble that ...
... Ah, yes, the treble. At first I though "There's some trouble with the treble." For the first time in years, I found myself (me of bat-like-ears and super-sensitivity to harsh or excessive highs) thinking "I need more treble." The treble was there, smooth and extended, but a bit too "timid" -- cymbals sounded as if the drummer was holding back a little, the upper harmonics on horns and strings were also a bit muted. It sounded delicious - but too delicious and forgiving.
But I knew that there's no way this amp would have been one of Stereophile's Art Dudley's long term favorites -- or none of the other reviewers -- if the treble was this gentle and forgiving.
I knew what was "wrong": My entire system (including cables) and room treatment, had been chosen and designed to deal with harsh or excessive treble from lesser recordings. I had accepted the fact that I needed tone controls to tame a good 30% of my favorite recordings. But not with the Cortese. The treble on this puppy is so smooth that I adjusted the tweeter cross-over on Tannoys from -1.5dbs to +1.5dbs! Now the treble was just right for my tastes. It might still be a bit too gentle and rolled off for others, but keep in mind that everything in my system (including the Tannoys) is very forgiving and I have a feeling that with more neutral speakers it's going to be right for almost everyone (OK, perhaps not for people who prefer the sound signature of manufacturers like Krell.)
There's not much to add about the mid-range. It's your run of the mill, magical SET sound. Perfection to my ears.
The bass was the most pleasant, although somewhat anticipated, suprise. The Cortese has the most tuneful and extended bass I've ever had in my system. I had some thoughts of getting a larger pair of Tannoys and I kept taking the subwoofers on and off my system. With the bass from the Cortese any desire for larger Tannoys has evaporated, subs will probably go to the garage next week - who needs them. I might even move the speakers further away from the wall since I moved them closer to get more bass with the Montille. The depth and "chest impact" of the bass is one thing, the other is the tuneful aspect of it. Every bass note is distinct - the opposite of one-note-bass.
Soundstage: wider but also about 2' taller. I love a high soundstage. Even though the speaker drivers are less than 3' off the ground, the sound stage is easily at 6-7'. This means I can sit on my chair and look "up" to the music as if I was in a concert. I love it!
That's it for a first pass. In the days and weeks to come, I will play around with different cables since now I no longer have to worry about having cables that are too resolving.
If I sound ecstatic and overjoyed, it's because I am. I knew that this amp was a step in the right direction for me. I knew it would be more delicious than any other amp that has graced my system, but I was not prepared for an amp that said:
"Here Alberto - Mr. Delicious - try ME out, I am just for you. You can now play ALL your records and forget about tone controls and loudness and subwoofer and bigger speakers. I AM your tone controls. I AM your loudness. Pack your subwoofers, forget bigger speakers for your little room. I have it all. Just for you my friend. Enjoy me ... and spread the word to other delicious sound hounds."
OK, enough writing. I am going to forget that today is a spectacular sunny day in the SF Bay Area and go do more listening. The pull of the Cortese is stronger than the pull of the mighty sun!
Alberto (Delicious Sound Hound)
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- 48 posts total
- 48 posts total