The Best New HT Processor


I have considered the Krell Foundation, even more, the Bryston SP3, and the CARY Audio CINEMA 7B. I know there are other good choices out there?

The Bryston SP3 has to be my favourite now, as it has two balanced inputs, and I need two.

I would like to get to the point where I have one box, unlike the past, having several preamplifiers doing multichannel sound.

My price limit is ten grand, and I believe my sell off price will come close to this?

The idea of buying something like this used feels uncomfortable, as it seems, spending over a few grand on anything as potentially finicky as a processor, leaves me feeling lost for personal contact, if I had a problem?

Audio Research is my stereo preamplifier and an older Showcase Krell. One piece of head gear, my Esotreic runs to the ARC, as well my Accuphase, which I really do not want to sell. The Esoteric, being the DV 50S model, it enters the Krell for digital processing and straight analogue for any multichannel SACDs I have.

I have added an Oppo 105D, for Blu-ray, and it would be ideal to have three balanced inputs, yet that is not likely, and it seems the best processors should be able to do as well as the Oppo over HDMI, as it is, whether DTS HD Master is worth having, I do not know?

I am either going to keep the Krell I have or take the plunge and go for a something where I can HDMI the Oppo, use the audio inputs for the Esoteric and the second balanced for the Accuphase, which is a CD player.
128x128ladycharnet
Thanks for all the response. Right now, i am leaning more towards the krell. I have decided to keep the ARC and do what Dbphd suggested, and run my audio players to the ARC and have one decent fully balanced processor, and the Krell seems to be coming down in price.

If I am correct, if one uses the HDMI from the Oppo to the Krell, all the analogue will be balanced, same as my stereo?

I have considered purchasing an ATI 2005, or if I may find a deal on a used Outlaw 7500.

On codex's, I doubt i will ever use more than one HDMI, or go beyond HD Master, as I am not interested in cable TV, or DVRs. If anything, I might add one device just to stream Netflix if they have good movie selection?
The Krell Foundation is pretty impressive. I've sold several of them.

Great sound on 2 channel as well as HT, which is not always the case with pre/pro's.

**Krell dealer disclaimer**
Since my previous post, I added a Cary Cinema 12 to the loop, so now the Oppo 105 connects via HDMI and 7.1 analog to the Cary. Surround from the Cary connects directly to the amps, SW to a Velodyne SMS-1 that provides acoustic room correction for a pair of HGS-15s, and the LR fronts from the Cary pass through a Parasound JC 2 BP. The reason for adding the Cary was to enable surround DSD via HDMI from a Sony XA5400ES, but the Cary does a superb job with surround and bass management. The Cary shares the JC 2 BP with an Ayre C-5xeMP and JC 3 phono stage that are used for stereo.
I've always been into the movie thing..and thus "AV", for my high end systems, needed to be a reality -as opposed to JUST a high end 2 ch system for music. That said though, when it came down to AV Prepro selection for myself, I've always focused on the following priorities when choosing (I like good sound) , and that's whether it can, first and foremost, offer GREAT DYNAMICS (must for movies) offers superb clarity and resolution/detail, has a ROOM EQ of some success built in (yes, must be effective tool, cause rooms typically need lots of acoustics help), must at least pass 1080p video -with no hitches for switching capabilities- and must be reasonably priced -prefer used! ..cause, as an audiophile relative kinda tool, I KNOW If it's not likely gunna be the very last word in refined mid-range, top end air, super deep sound-staging, and other audiophile niceties and comparisons to a very very good high end 2 channel analog preamp, or whatever,anyways ..so I'm not too worried about it. ..cause I can always just loop in some..um...other very good, high end 2 ch analog preamp or whatever instead!! Problem solved, basically. Yup, yup.

That said, of old, I always liked budget "over performers", like the old Acurus Act 3, Yamaha budget AV receivers (as PREPRO'S ONLY), but never more pricey than the otherwise acceptably dynamic -yet delightfully more refined and detailed - Krell AV pre's!!! (don't care so much, though, for the non-audiophile more custom oriented video first processors, like the Lexicons though) Never really wanted to spend a whole lot more, really... used, of course.
Besides all of that, for newer current AV pre's, with all the latest features and processing offerings, may I suggest you consider my check points and requirements, as well as my position on "hiend 2 channel options" for your music needs with the system!
Sure, you could spend a bazillion dollars on some stage 9 Theta Casa-something-er-other..., er a Meridian digital front end contraption, er an otherwise nice Macintosh's, Anthem, Classe, or other top end AV piece, ..and so on. But face it. No matter what you spend on some soon to be obsolete, RAPIDLY DEPRECIATING AV pre anyway...and, an "audiophile aspired" piece, it will never offer the return for your money when it comes to 2 channel, basically, compared to a multitude of used hiend 2 ch preamp offerings you could have chosen instead?!!

So, as with most "trade-able", soon to be relatively obsolete anyway AV gear, ..I say...be prudent, and spend wisely! Then you can trade the stuff a year or two later and get your monies back... WINNING!