CJ preamp upgrade suggestions


I'm currently considering upgrading my PR16LS2 to one of the following: ET5, ACT2S2 or GAT (the GAT would be a stretch). My system consists of an Esoteric K-03, CJ PR16LS2, CJ LP140M monoblocks, Focal Electra 1008 BE monitors, JL Audio F110 sub, Siltech IC and SC, Running Springs Haley power conditioner and Acoustic Zen Gargantua and Krakatoa PC. Our listening room is 20x22 feet with 9 foot ceilings. We listen mostly to jazz and love vocals and acoustic instruments. Periodically we listen to classic rock and larger scale classical music. I'm at an age where I intend this to be my final set of system upgrades. Your thoughts are appreciated.
Thanks.
mfoley3
Hi Tomcy6,

Thanks for the tube info and source recommendations. I'll call this week and speak with both parties. Some years ago, I did speak with Kevin. I found his manner aloof, however he seemed very knowledgeable. I've since then read and heard good things about him.

Thanks again!
Hi Mfoley,

The Telefunkens are NOS (not the current production by JJ).

Most ball bearing isolation devices I've heard bring good speed, focus and resolution to a system, but with a tendency to make the overall sound dry and a bit too analytical. The Stillpoints bring all the benefits to the table, but have a surprisingly liquid and smooth top end. However, placement is critical. It takes days of experimentation to find the exact location.

Although using just 3 makes it easier to balance, I found that using four Stillpoints to sound better. They are height adjustable so levelling them is possible.
Hi All, I now have about 500 hours on the GAT and I'm very pleased. Concurrent with the break in of the GAT, I've also been breaking in the LP140Ms (they now have about 400 hours on them) which were purchased new and also new Siltech 770L speaker cables (that now have about 300 hours on them) With all of that happening simultaneously, I can't really differentiate among the three in terms of specific sonic impact. However. I'm very pleased with how everything has come together. The sound is highly detailed and dynamic, imaging is very specific and well defined and the soundstage is deeper, wider and higher. Most importantly,instruments and vocals are rendered accurately (at least to my ear) and overall the system is non fatiguing and a pleasure to live with.
I've added four Stillpoints Ultra Minis under the CDP, Pre and amps. I also added 3 Rollerblocks under the RSA Haley power conditioner. The result was an immediate improvement in imaging, soundstage, dynamics and an even quieter background. I had also purchased Stillpoints Ultra SS (4 for each speaker), but those have been returned for exchange as their thread size was inappropriate for the Diablos. I expect to have the correct ones in three days.
I have not yet experimented with the sonic effect of the Symposium shelf under the GAT. I also have not yet added a dedicated circuit for the amps, nor have I ordered the Telefunken 6922 tubes from Upscale. I'll update this post once I have.
Glad to hear that your system has come together so well M. That's what we're all after, that elusive synergy that makes all the trouble and expense worth it.

When you start experimenting with tubes, just have an idea of what effect you would like the tubes to have on the sound of your system and I'm sure you can find a tube that works for you. It may or may not be the Telefunkens, but talking to Kevin is a good place to start.
Hi Tomcy6, while I am quite pleased with the system, I'm also sure that different components might have yielded an even better result. However, given my strong product biases and lack of desire to do extensive A/B comparisons, I'm pleased with my results. I will call Upscale tomorrow and try to speak with Kevin directly regarding the sonic characteristics of the Telefunkens and will also inquire about the strengths and weaknesses of other 6922 alternatives. Thanks for your advice, very helpful.