Ear Candy: Most startling recordings.


OK, we all respect great musical talent and muscianship, but sometimes you put in a CD and you get one of those startling zany recordings that make you smile it is so strange. Some of Neil Young's stuff is kind of like that. Alot of Pink Floyd is like this. Sounds racing across the sounds stage, shifting mike position in mid recording. What are your favorite "ear candy" recordings?
issabre
Angelique Kidjo "Oremi". If the soundstage doesn't go outside your speakers on her cover of "Voodoo Child" your system needs tweaking or upgrades.
1. Shelly Manne & Jack Marshall - "Sounds Unheard Of"
Acoustic guitar and percussion on Analogue Productions vinyl.

2. Mikey Hart - "Dafos" (whole CD/LP)
Unreal percussion and sounds. Eerie kind of stuff. So far outside the speakers it's in your neighbors yard. Especially when he/they start using non-drums to make percussion sounds in the right side of the soundtsage. Banging metal pipes and stuff. A whole lot of fun.

3. Dianne Schuur - "Somewhere over the Rainbow". From her "Music in Me" CD. Breathtaking acapella, center stage, brings a smile to my face and goosebumps every time it's played. First cut I placed on my test CD. Ear candy in a different way.

4. Isley Brothers 12" "Eighth Wonder of the World". Talk about sounds all over the place. Especially the jamaican influenced dub mix. Un-freaking real percussion and Ernie Isley on guitar moving all over the place all the time.
He messes around in the studio quite a bit, from making recordings sound like they are being played on a Gramaphone to simply great recordings like the bluegrass cuts with the Del McCrory (s.p.?) Band. Wish I could afford to hear the title cut off Transcendental Blues on a big rig with Dunlavy SC VI's or the like. Anyone heard this track played on such a system?
One of my most recent discoveries is the Persuaions singing Frank Zappa. I don't have it as yet but what I've heard is beautifully strange!
I no longer have the vinyl nor can I remember the label but it was a direct-to-disc recording by Virgil Fox. On one of the tracks you can actually hear the engineer move one of the microphones while Fox is playing. There are also a couple of police sirens and an odd pedal note that was later revealed to be a garbage truck moving a dumpster outside the cathedral in Atlanta.

You can also hear an incredible blooper when he stomped(yes, Fox stomped) the wrong pedal in the Widor Toccata.

Will