Palerider,
I think you either forgot to read my opening post or, since this thread features a three-part idea, maybe I didn't explain it clearly.
The first part of the idea is, in a biwired or biamped situation, to use the bass side of your biwirable speakers' binding posts to connect TWO separate wires TO THE SAME POST, one wire using spade connecters, and a second wire using the binding post's banana plug connection (of course, it is possible to connect two spades to one post, or with a banana plug adapter to connect two bananas to one post).
The second part of the idea is to recognize that wiring can affect bass in two major ways: bass "weight," or that ability to cause a listener to feel the umph of a note; and bass "definition,' or the ability of a woofer to generate distinct notes with each clearly defined from the note before and after it.
The third part of the idea was that the two connections to the bass side of biwirable speakers allows one to use specific wires for each bass aspect. That is, as I said in my opening post, I found that connecting 9g copper (using spades) generated weighty bass, and a relatively small amount of silver (using the banana connection) added definition . . . thus giving a method for improving bass by wiring for BOTH bass aspects.
I think you either forgot to read my opening post or, since this thread features a three-part idea, maybe I didn't explain it clearly.
The first part of the idea is, in a biwired or biamped situation, to use the bass side of your biwirable speakers' binding posts to connect TWO separate wires TO THE SAME POST, one wire using spade connecters, and a second wire using the binding post's banana plug connection (of course, it is possible to connect two spades to one post, or with a banana plug adapter to connect two bananas to one post).
The second part of the idea is to recognize that wiring can affect bass in two major ways: bass "weight," or that ability to cause a listener to feel the umph of a note; and bass "definition,' or the ability of a woofer to generate distinct notes with each clearly defined from the note before and after it.
The third part of the idea was that the two connections to the bass side of biwirable speakers allows one to use specific wires for each bass aspect. That is, as I said in my opening post, I found that connecting 9g copper (using spades) generated weighty bass, and a relatively small amount of silver (using the banana connection) added definition . . . thus giving a method for improving bass by wiring for BOTH bass aspects.