Cable Costs Relative to System

Well, that's maybe why the Anti-cables are winning out in so many systems.

Ojgalli,

There is a lot of science behind the claims made on the links you quoted. The problem is that science is not always trusted and fear of missing out on a potential performance improvement continues to drive people to try things.

Another thing not mentioned in these links is that some audio gear is very much more susceptible to cables than others. For example, the principle of a high input impedance and a low output impedance is desirable for audio components...this minimizes the effect of a coupling cable (often to a point of being audibly negligible when sufficiently high contrasts are employed)

However, not all audio components are designed according to these principles.

"If a cable makes a significant audible difference it must be altering the signal" said Ojgalli, among other tings.

Yes, and what ? Sophisme.
That only means that there are almost perfect (not alterning signal cables), and others which do alterate, more or less).

For myself, I have just tested different cables with the same outfit :

1) ok, the most expensive cables are not always the best ones, for sure - it's not a rule...like for everything !
It can even happen to be the opposite, sometimes - but not as often as I wish !
But the best are always among the expensive ones.

2) but there are important differences between less expensive and most expensive cables.
The average of the upper ones is much above the under ones.

3)Never forget, beyond that, that among each category, the active outfit is decisive.

NB It's the story of the half-full or half-empty glass, as truth, absolute, are never reached or measurable, objective.
A half-empty glass mind just says : cable is nothing, it has to be good, and it's ok, really nothing more;
a half-full glass mind says : cable is very important.
It's very difficult to make one which is reliable and don't pollute the sound.
Long, hard research, which has its prize.

A good cord is a good cord. They may or may not do what your looking for but that just makes it a good cord which doesn't meet your tastes. There are allot of good cords that sound different but are good. In some cases a cord that is not of the same quality will work better in certain applications. There are allot of good cords , average cords, exceptional cords and down right bad cords. The trick is finding the right cords to match your tastes. Unfortunately most of the good cords are pricy but that's because the manufacturers can get away with charging what people are willing to pay. There are very good cords at reasonable prices which are good value for the dollar. Some cords sound great in one application and horrible in another. Some good cords are inexpensive and some bad cords are pricy. The difference between good and bad is a matter of opinion but I believe at a certain point good cords are good but just sound different from each other giving a variety of tuning options. Power cords do make a difference and are useful to tune your system to ones particular tastes. Those who claim cords don't make a difference have probably never truly have given cords a chance or even tried them. Regardless of the theories and scientific facts subjectively cords sound different from one another giving audiophiles another variable to be confused or enlightened about. Cords are like any other tweak. They change the sound be it for better or worse. That's my rant of the day.

It is so easy to hear what a great cable or power cord can do for fine equipment. True, they are not always super expensive, but some of the higher priced stuff does deliver the goods on great gear..night and day differences!! Some people are tone deaf..that's a fact as well! I have owned just about all the major cable brands, including Radio Shack...all wires are not created equall sorry to say! MIT is my favorite of the higher price stuff...it allows the full dynamic range thru with both macro and micro dynamic shadings..tone color is vivid and soundstaging is deep and layered with oodles of air!! Horns are one of the toughest instruments to re-create on a stereo...try the RS cable against a MIT Magnum cable and ya don't have to scratch your head...your jaw will drop!! This all means nothing of course unless you own great gear like Krell ect....! One must also have a deep love of live music in order to understand what makes one cable sound better than another...if no appreciation exists then any cable will do, which is fine if that makes you happy! It's a personal thing..you don't have to make it a public scourge!!