What Are The Differences Between The Vandenhul Cartridge Families

I heard there are lots of mechanical failures wit VdH carts.

Stringreen, Where did you hear (or read) such a thing? VdH cartridges might be more susceptible to damage by ham-handed audiophiles than some others, because of their very open structure which exposes the cantilever out in space, but I know of no chronic recurring problems with intrinsic reliability.

Who knows with Stringreen-he has gotten many things oddly wrong before such as referring to his own cartridge as an Ortofon "Windfield" despite being advised hundreds of times it is "Windfeld".

But perhaps he is referring to a rumor that went around that VdH cartridges had poor QC as to stylus alignment which I believe started with a blurb by Fremer in his monthly column toward his end at Stereophile. Fremer did not specifiy he was talking about VdH but his wording and the attached photo strongly hinted that the subject of his "public service announcement" was VdH.

IMO, Fremer was never much a fan of VdH. I talked to him about it briefly at Axpona 2019. His response as to how he felt about VdH was "how can anyone talk about VdH when you never know what you will get? Every cartridge sounds so different?".

i’ve owned 10 vdH Colibri ’type’ van den Huls over the years. starting in 2001. owned 7 back in 2001--2011, then another 3 in 2016-2018.

my early group did have a consistent nomenclature using symbols for body type, body material, and winding material. the later ’Stratovarius’ group just used names.

agree with Fremer that the vdH’s have the most inconsistent build quality of any cartridge. so reviews mean little, since they are not consistent. further; the alignment of the body, magnet structure, and cantilever is rarely correct and each cantilever is a different length. which can many times cause problems due to the clearance between the magnets and the pressing surface with the shorter cantilever units, so they pick up dust.

so it’s a train wreck to a degree. yet you are rewarded with special very lively exciting sound, if your system can handle it. the Colibri type vdH’s are a pain, but can be amazing. and they are cheap to get fixed, but the fix is not always correct.

bottom line----i owned 10 of these beasts for a reason. they can touch your heart.

so it’s a train wreck to a degree. yet you are rewarded with special very lively exciting sound, if your system can handle it. the Colibri type vdH’s are a pain, but can be amazing. and they are cheap to get fixed, but the fix is not always correct.

bottom line----i owned 10 of these beasts for a reason. they can touch your heart.

Very interesting perspective. I can't agree or disagree but I am willing to venture your take is pretty spot-on. I met AJ Van Den Hul at Axpona 2019. He is old and feeble. I understand his son has been trained to take over but having met him I can certainly understand how his hand built cartridges are not consistent. I have only owned one, a Crimson Stradivarius (not ’Stratovarius’) XGW. The sound is very lively and I love it. And that is in the context of having two very similar turntables hooked up to my system both with Reed 3P arms and my other deck has a Lyra Etna installed, both optimized and re-checked by Brian Walsh.

After the article was published-again more a blurb than an article-I sent mine back to Denmark through the USA distributor to have the magnets/suspension/donut checked and I specifically asked the distributor to send a note that I was concerned with how the stylus was aligned to the cantilever-though I had no evidence it was misaligned. As anyone with a higher end VdH is aware, VdH asks that the cartridge be returned for a check-up after 200 hours.