Grimm MU1 Streamer - Really "The Best"?


I've recently become interested in the Grimm MU1.  While reviews of top end players from Innuos, Aurender and Antipodes and others are typically all very positive, the tone of the many pro reviews of the Grimm MU1 go far, far beyond, with some reviews resorting to using superlatives and gushing of positive system transformation and not being able to stop listening to material, etc..  HiFi Advice and Steve Huff (actually calls it "magic") have such reviews.

Given the delay in availability of the Innuos Pulsar which I'm told will be better than my current Zenith Mk3 + PhoenixUSB reclocker, I am interested in replacing my streaming setup with a one-box solution that includes a high-precision clock.  The new streamer will continue to feed my Gryphon Diablo 300's DAC module, which I have no interest in replacing.

I'm actually a fan of Innuos, after they improved the sound of my Zenith with firmware updates and after I added their PhoenixUSB reclocker. I appreciate this commitment to improving sound quality which is why I was so interested in the Pulsar.

The trigger for considering an upgrade is not for improved sound, but rather, to solve some issues I have with too many Audioquest power cords coiled and clumped together. I will get to lose one of them and one of my USB cords with a one-box streamer. I've noticed my sound is very sensitive to positioning of my AC cords and find I often need to re-adjust the PC feeding my amp to get proper sounding vocals at center stage.  One of my subs also seems to be picking up AC noise when the crossover is set above 60Hz. The second trigger is simply system simplification, removing one box.  All that said I don't really have any complaints regarding sound, and the PhoenixUSB reclocker truly did improve the sound of my Zenith.

While the Grimm MU1 has it's 4X upsampling up it's sleeve with reviewers absolutely glowing over this feature and it's extreme ability to separate tones to the left, right, front, and back far better than the rest, I don't see that Grimm has gone to any lengths with regard to power supply management in the way other brands do including Innuos. The MU1's ultra-simplistic interior doesn't bug me, but the lack of transformers and power management makes me wonder....

Are there any updates from folks who have directly compared the MU1 vs similarly classed streamers from the competition?  Did you find it to be as revelatory as the pro reviewers found it? And, how does it compare to other streamers with it's 4X upsampling disabled?  Does it sound like it suffers from it's lack of power management?  I do see that the clock should be very good...

 

 

nyev

@grannyring , as I’ve mentioned in past threads For a long time I didn’t hear the benefit of Innuos Sense over Roon that you and pretty much everyone else hears, until fairly recently. Not sure if it was due to a version change in either’s software or another tweak in my system, but I now hear far more detail and better imaging with Sense. Roon still sounds a little “bigger” to me in terms of scale, and also fuller, but Sense is just better.

@ghasley , thanks again for your input. One concern I had was not knowing how decent the AES implementation is on my Diablo 300 DAC, vs USB which I currently use. Sounds like it will work well. I suppose the Diablo DAC’s supercapacitor it uses to provide isolated voltage for USB would not be utilized when using AES? I like that flashing blue light on the front of the Diablo that indicates the super cap is charging, when you haven’t powered the unit in a while!  But it makes me think that Gryphon went the extra mile to make it’s USB interface on the DAC really good.

@nyev

I agree with you that the Diablo is a very well engineered piece. I dont know in what way Gryphon built their board, where or what was optimized for the dac board in general nor their usb implementation in particular. With that said, I cant imagine that the usb to spdif handoff is revolutionary, more likely it was optimized. Therefore, and this is a WAG, the usb to spdif handoff as well as the clocking is more than likely very, very good but its unlikely the clocking is a world beater. The Grimm or the better Aurenders via AES will likely make a material difference.

 

One of the advantages of a high end company like Gryphon designing their own dac (or phono) board is they can build it to their standards based on the optimal traits to complement the Diablo. No interconnects needed, perfect integration, etc, etc. They dont have to overbuild it, they just build it to a high enough standard and thats where they should logically stop. Its a tremendous value but thats from a long ago, multi day audtition. If you like your Diablo and dont plan on moving up the Gryphon foodchain, you are set. If you are content, then dont overbuy on the server/streamer front.We all get caught up with bringing a howitzer to a pillow fight bu the analogy absolutely applies to hifi.

 

In your case, assuming you are happy with your Diablo and you just want to enhance/maximize what you have, I believe that the less you ask a dac board to do (even a dac board developed by an exceptional manufacturer like Gryphon) the better off you will be. The aes input will be an upgrade from companies the likes of Aurender, Grimm, Antipodes, et al.

One thing no one has mentioned is that the MU1 has its own iteration of ROON built into it. This was done to optimize communications and improve SQ. This was with knowledge and approval of ROON (it's ROON certified). This may address some of those critical of ROON SQ. 

 

I'm using the Grimm MU1 in front of a Mola Tambaqui, which has it's own streamer built-in, and the difference is incredible. With the Mola's selectable output voltage I can run my amps directly, but I still prefer running thru my ARC Ref 6 which provides a superior stage experience to my ears. 

BTW, having ROON built in saves many people the cost of a $1500. ROON Nucleus.

 

@ghasley , great rationale; makes perfect sense.  As an aside, I wonder why Innuos does not support AES as the others do.