Recommend a good tube power amp in the 100 wpc range for under $4k


Folks, 

 I am looking to bi-amp my Fyne F702 speakers, with a solid state amp for the low end and a tube amp for the mods and highs.  The Fynes are floor standing 2.5 way units with 93 db sensitivity and 100 wpc rms power handling capacity.  My preamp is a Rogue Audio RP-7, and my current solid state power amp is a Benchmark AHB2 at 100 wpc.  My goal is not so much more power but to put a tube amp on the middle and highs.  The Fynes have two sets of binding posts, one for lower frequencies and one for mids and highs.  I am looking to go active bi-amping with a Sublime Acoustic K231 Stereo 3-Way Active Crossover.

  In addition to an amplifier recommendation, what else do I need to consider?  For example, if I buy an amplifier with wattage output similar to the AHB2, what other factors do I need to consider?  Because I do NOT want to modify the speakers in any way, do I need to consider a gain control to match level differences resulting from other factors, such as impedance differences? Or, can I just hook up the crossover between the preamp and the two power amps and enjoy the music, which is what it is really all about anyhow?

 

Many thanks for any and all comments.

mike4597

+1 to the guys who know you don't need much power for mid/tweeters. Definitely check out Underwood HiFi's LSA tube amp. Great reviews and a great price

Thanks for the input so far.  Yes, I am looking for a bit of that “tube magic.” Switching to a tube preamp has made the music seem so much more alive, with more depth, possibly due to hearing more harmonics from the various instruments.

I now understand that I do not need anywhere near 100 wpc for the mids and highs, that probably 30 to 40 watts will be more than sufficient in our roughly 13 x 20 x 8 living room, open on one side to the dining room.  A higher power tube amp would just give me power reserves I probably would never use; we like to listen at moderately loud levels—just beyond where the speakers “open up”—not very loud levels.

Someone commented that the crossover will handle gain matching between the two amplifiers, which was a major concern.  
 

One thing I do not understand is the need to remove or disconnect internal crossovers when using an active external crossover.  My speakers have two sets of binding posts, one for lower frequencies and one for mids and highs.  When a manufacturer builds a speaker this way, do they not bypass at least the crossover divides the lows from the mids and the highs?  (In the F702s, that would at 250 hz.). If not, what is the point of two sets of binding posts?  Thus, it would seem to me that if I set the active crossover at 250 hz I am simply duplicating the internal crossover point and sending just frequencies below 250 Hz to the woofer, which is what the internal crossover does; frequencies above that are directed into the “upper” binding posts, and it seems to me that I would want to retain the internal crossover dividing the mids and highs (1.7 kHz in this case)  because I am only bi-amping, not tri-amping.  OR, are we getting into the “magic” of crossovers with the possibility of some undesirable interaction between the internal crossover at 1.7 kHz and the active crossover?  Can someone explain.

As you can tell, I am new at this, and I greatly appreciate your advice.  My current system is far beyond what air replaced in the past year—Infinity Modulus satellites (the 1992 quality model with EMIT tweeter before Infinity went mass market) and a NAD C356BEE used as a preamp feeding into a McIntosh MC2125, of which for the latter I was the original owner.  I am looking at tubes for the upper end to see how much better I can make my system without spending gobs more money.

Many thanks, folks.  Good listening to all.

Power: yes, less for just mids and highs, however, consider you might want to try just the tube amp for all, then, if more power is affordable, ...

smaller means less heat, cost, and more placement options.

Crossover does not equalize gain, just distributes these frequencies to this driver ...

You need gain controls on at least one amp (preferably both), get them volume matched to each other at your favorite listening volume, then after that fundamental match, the preamp controls the volume to both amps.