Roger Waters and Graham Nash on The Band.


I’ve just started reading the new book Levon Helm: Rock, Roll & Ramble; The Inside Story Of The Man, The Music, and The Midnight Ramble by John W. Barry (with a forward by Ringo Starr). I’m only on page 25 of the first chapter, and already I have read something I found very surprising:

Roger Waters: "Big Pink changed everything, overnight." (What have I been telling ya’ll? ;-). He continues: "It was sonic. It was the sound that they made all playing together. It was what they created. It was just completely different than anything I had heard before and it was remarkable. They (sic) were great songs as well. When I heard the record I went ’Wow, what was that?’ What a great band they were." No sh*t Sherlock.

Not as surprising is what I read in the paragraphs immediately preceding that of Waters, that being:

"When they served as opening act for the 1974 Crosby, Stills, Nash & Young stadium tour, said Graham Nash: ’I would watch their set with great interest, of course.’

"But even though The Band was opening for CSNY, Nash remained in awe of them and, as a result, was too shy to approach any of the guys or chat them up."

’I should have, of course. I’m not particularly un-famous myself. But I was just too shy. They were too incredible a band in my mind...I mean holy sh*t, they were The Band...they were incredible. They were the best band in the world apart from The Beatles, as far as I was concerned. I was just a fan.’

Every good musician I knew felt just as did Roger and Graham, and still do. The best self-contained band (writing, singing, and playing) in the entire history of Rock ’n’ Roll. You see, Graham had the order reversed ;-) . When Abbey Road came out, it sounded like yesterdays news to me. The Band’s first two albums had completely changed the rules of the game. Those two albums still sound fresh, like they were recorded today. Abbey Road sounded dated to me on release day.

128x128bdp24

Larsman, that’s off Nick Gravenites "My Labors " album. Is one of a few cuts from Mike Bloomfield’s Fillmore concerts with his vocals that didn’t make the "Live at Bill Grahams Fillmore West" album. Some duplicates too on the CD version. A few other cuts from those Bloomfield concerts are available on the Wolfgang’s Vault site.

Eric, my late wife, as a youngster, got to see the young Elvis perform at a concert he did in Seattle. We can both eat our hearts out on that. She recalled a lot of girl’s screaming and dancing in the aisles.

Mike

@skyscraper: For a couple of shows I attended I was in the best seat in the house: the drummers throne ;-) . One was with Don & Dewey (Specialty Records label-mates of Little Richard, Sam Cooke, John lee Hooker, Lloyd Price, and Larry Williams) at The Continental Club (a Rockabilly joint in L.A.), another in the band backing Emitt Rhodes for his first live appearance in a quarter century, at the 1997 Poptopia Festival, itself a quarter century ago. Don, Dewey, and Emitt are all now gone, but their music lives on. As do, for now ;-), I.

the Stones where much better however i liked The Band when they would back Dylan.

Dylan also employed The Grateful Dead and Tom Petty & The Heartbreakers as his live band, neither of which were up to THAT task.

Think about all the people The Band provided accompaniment for in the Last Waltz. Very few musical ensembles are capable of doing that. Good as they are at their own thing, being a backing band is a whole 'nother matter. Perhaps because they started life as Ronnie Hawkins band did they learn how to do that better than anyone else.

Howard Johnson was (he passed away last year) a tuba player John Simon (producer of the first and second Band albums, as well as the first Blood, Sweat & Tears, Cheap Thrills, and Songs Of Leonard Cohen albums) met when they were both members of Taj Mahal's band. Howard had previously worked with Charles Mingus, Roland Kirk, Gil Evans, Hank Crawford, and Archie Shepp. Damn ;-).

John hired Howard for the Rock Of Ages (The Band's fantastic 1971 2-LP live album) and Last Waltz concerts. Here's what Howard had to say about The Band:

"With Taj Mahal on that Fillmore circuit, we played with so many bands who were well known and had hits but who could not play by any standards I had. Yeah, they could get in the studio and make stuff perfect, but they weren't performers. And I wasn't trying to be some kind of elitist jazzhead, either."

"The Band were just so good. I don't know many guys who are that proficient who are not jazz players. These guys had a lot of flexibility. They didn't play the same thing over and over again. There was always some kind of excitement to it. Being an old jazzer, I always appreciated that. They were innovators. I think it appealed to people on a level that they didn't quite even understand."