What is it about spinning vinyl?


I just turned the system off several minutes ago. I had been listening to a great, high res file of Tower of Power, best horn section ever. As many know I have been sans turntable for 8 months. I sold my old one and ordered a new one but you know the story. Covid delays. It is under construction now.  Anyway, as I turned the system off I got this real urge to play a record. The wizard inside did not feel like turning the computer back on. It wanted a record. Grumpy, I decided to hit the sack. 
Think about that. I have a terabyte and a half of digital files sitting there in a hard drive.  Everything from Bach to Captain Beefheart. It had to be a record. No record, bedtime. It was not about the music. It was about the mechanical act of playing a record. I've been doing it since I was four years old. My dad got me a Zenith portable for my fourth birthday. You know, with the black cobra tonearm complete with eyes! Is it just repetitive behavior. Perhaps there is some sort of psychological explanation. Happy associations? Platter hypnosis? Maybe it is that we get emotionally attached to certain behaviors. 
128x128mijostyn
edgewear, a mutant industrial vacuum cleaner dances about a mysterious night time camp fire. Festoons. Dozens of imported castanets, clutched by the horrible suction of it's heavy duty hose, waving with marginal erotic abandon in the midnight autumn air. This linear progression wreaked havoc on the drug laden minds of flower power adolescents.

Weasels Rip my Flesh, Neon Park, Sailing Shoes, Lowell George, Hot Rats. Circular. 
Mijostyn

Exactly what I mean. Driving a manual transmission car is a PITA but it sure is fun. Makes you feel more engaged with the driving experience. You become part of the machine that is your car.
Spinning vinyl is a PITA but you are engaged, almost like you are part of the performance you are enjoying. The side benefit of this tactile experience is simply how wonderful it sounds.
Mijostyn, that’s quite an imaginative description of Chunga’s Revenge. If the unsuspecting hippies didn’t get enough punishment from his wrath, we could send in Nanook to rub their eyes in a circular motion with the deadly yellow snow, right there where the husky’s go.

Dropping Zappa quotes in the middle of a conversations when you least expect it is source of amusement we greatly enjoy in this household. Another harmless ritual for people who have outgrown the ordinary.


@reubent -- Bad assed album. Even the US pressing of the first album is fabulous compared to the UK, which is polite sounding by comparison. Second album of theirs, also on Swirl, is equally brilliant, but sadly, the US pressing is terrible. I was fortunate to find a UK copy in top condition. Ollie Halsall, while generally unknown, was apparently very influential, and brought a vibraphonist's sensibility to his guitar playing, doing tap harmonics on lead lines. Mike? Patto eventually went to Spooky Tooth if memory serves.
 Most people know the label, if at all, b/c of Black Sabbath or possibly Gentle Giant, but that catalog had some real "head" stuff for the era-- Patto is great, ditto the first May Blitz and if you are into "prog," both Cressida albums on Swirl are wonderful (the UK of their 2nd album, Asylum, is now 4 figures for a minty copy). I got in late, but still found some bargains along the way. Some of the stuff isn’t really "me"- the Catapilla albums, while rare (particularly the 2nd one) are pretty strange; ditto Dr. Strangely Strange-Heavy Petting and some others. However, there are some jewels in there-- and of course, Sabbath rocks really hard on the early UK Swirls. (first through Vol4 released on Swirl until they left the label).
I’m always telling people the best value in these is the 1970 Annual- UK pressing- a two record "sampler" of tracks from some pretty recherché albums. It gives you a taste of some of the great stuff without the heavy tariff, although it’s been some years since I shopped that album.
You are invited anytime! :)