I have the HiFi News test record, the bias tracks are a waste of time but I use the resonance tracks and I’ve tried the azimuth track, mono button depressed, but it’s very hard with a pure tone to gauge its relative volume to that you heard even a few seconds ago. There is a lower level tone just before the main tone and this is possibly more useful if adjusted to barely audible on that but it’s very hard to be sure when you have it minimised even so. I have a threaded azimuth weight inside the counterweight on my arm so I do the best I can with the test record then put a stereo disc on with good depth to the image, deselect mono on the pre and try either side of the setting from the test record, judged by the angle of the screwdriver blade in the adjuster, and listen for any change in soundstage. This has helped finalise my setting but you need to be close or there’s nothing to hear.
I should get an oscilloscope I suppose, and one of those USB microscopes rather than use the cartridge body if Framer’s right about the QC levels of some of the cartridge manufacturers and he may be, as I found a Transfiguration Proteus I had for 5 years, and thought I had set pretty well, beaten by the SPU Royal N that replaced it in my system even when I didn’t have enough antiskate set. (This latter I know from the skewed cantilever it developed after a year.)