The Law of Diminishing Digital Returns


When is the sound good enough? Is that $2500 CDP $1500 better sounding than the $1000 player? I have read posts on members favorite CDP'S - i.e., Ayre, Opus, Sony, Rega, Arcam, Naim, Musical Fidelity, and countless others. I guess my question is: When you get to a certain price point (I am guessing it is in the $1000 - $1500 range) are players worth the additional $1000's in some cases for the 5% improvement in sound quality? There has to be a player out there that is really close to those $4k to $5k CDP's that is a pleasure to listen to (or even a Giant Kiler) for around $1000. Am I the only one who feels this way? Let's keep modded players out of this please. I am looking for your thought on players right out of the box that wowed you!
mattcone
Well the diffrence between digital players for the most part is SMALL. I have a older 500.00 player and a newer 3500.00 player. there is a difrence yes about 10% at best.
I can make a much bigger diffrence swapping tubes much bigger. Buy a very good player, spend the money and upgrade your speakers. Too many people upgrade everthing else forgetting the speakers. I kept my 500.00 player and purchased 22,000 speakers there are huge diffrences actally between players but you need other great componants FIRST
dac is what makes the difference, If you cant hear the differecne between 200 cd player and 1k you have tin ears>
I had a $400(retail) Marantz 5-disc changer in my system for 7 years. Wanted to upgrade. Bought a modified Music Hall CD-25. This was a significant step up. CD-25 was over $800. Then I bought the Bel Canto DAC2 and it was again a significant improvement over modded CD-25. DAC2 is $1350. From here on, anything I auditioned never resulted in the level of improvement I was able to achieve with stepping up from $400 5-disc changer to $800+ modded CD-25 to $1350 DAC2. There are definitely difference between $200 cd player and a good $3500 player. And these differences should not be subtle. I personally never heard a good $200 cd player.
phaelon-i agree with your example as 'art' , but the retrival of 1's amd zeros has been a flawed 'hi end' media from the beginning. after all, the format was developed as a replacement for the audio cassette not the lp. upon its introduction, the cd entered a marketplace where lp's were less than 20% of worldwide sales. the technology as a reference was(and is) a distant second to analogue. aside from the usual surface noise anomalies, vinyl is still in a league of its own. the two driving reasons for the marketing of the cd were portability and profits. the ability to sell music libraries all over again.
phaelon-i agree with your example as 'art' , but the retrival of 1's amd zeros has been a flawed 'hi end' media from the beginning. after all, the format was developed as a replacement for the audio cassette not the lp. upon its introduction, the cd entered a marketplace where lp's were less than 20% of worldwide sales. the technology as a reference was(and is) a distant second to analogue. aside from the usual surface noise anomalies, vinyl is still in a league of its own. the two driving reasons for the marketing of the cd were portability and profits. the ability to sell music libraries all over again. the spiraling aftermarket for hi end cd hardware depends on tin ears to survive at lease another few yearsnumber51