The Law of Diminishing Digital Returns


When is the sound good enough? Is that $2500 CDP $1500 better sounding than the $1000 player? I have read posts on members favorite CDP'S - i.e., Ayre, Opus, Sony, Rega, Arcam, Naim, Musical Fidelity, and countless others. I guess my question is: When you get to a certain price point (I am guessing it is in the $1000 - $1500 range) are players worth the additional $1000's in some cases for the 5% improvement in sound quality? There has to be a player out there that is really close to those $4k to $5k CDP's that is a pleasure to listen to (or even a Giant Kiler) for around $1000. Am I the only one who feels this way? Let's keep modded players out of this please. I am looking for your thought on players right out of the box that wowed you!
mattcone

Showing 3 responses by jaybo

the devil is in the detail and the price, however, compact disc players cannot create information which is not there to begin with. I recently did my own 'shoot-out' using my mcd 205 mac and s22 revox(under 1k new)with a relatively new wadia 302. Anyone looking for a 5% difference in overall presentation, would have been disappointed. late december i compared the same two players with a cyrus 6 and 8, and although there were differences, no drama there either. with ipods and turntables as sources, and so many great used components at a fraction of their original price, investing in a 'last-great' cd source may not be the best way to spend 'mad' money.
phaelon-i agree with your example as 'art' , but the retrival of 1's amd zeros has been a flawed 'hi end' media from the beginning. after all, the format was developed as a replacement for the audio cassette not the lp. upon its introduction, the cd entered a marketplace where lp's were less than 20% of worldwide sales. the technology as a reference was(and is) a distant second to analogue. aside from the usual surface noise anomalies, vinyl is still in a league of its own. the two driving reasons for the marketing of the cd were portability and profits. the ability to sell music libraries all over again.
phaelon-i agree with your example as 'art' , but the retrival of 1's amd zeros has been a flawed 'hi end' media from the beginning. after all, the format was developed as a replacement for the audio cassette not the lp. upon its introduction, the cd entered a marketplace where lp's were less than 20% of worldwide sales. the technology as a reference was(and is) a distant second to analogue. aside from the usual surface noise anomalies, vinyl is still in a league of its own. the two driving reasons for the marketing of the cd were portability and profits. the ability to sell music libraries all over again. the spiraling aftermarket for hi end cd hardware depends on tin ears to survive at lease another few yearsnumber51