Better Records White Hot Stampers: Now the Story Can Be Told!


Just got shipping notification, so now the story can be told!

  Better-Records.com is a small, incredibly valuable yet little known company run out of Thousand Oaks, CA by Tom Port. The business started out many years ago when Tom Port noticed no two records sound quite the same. Evidently Tom is a sound quality fanatic on a scale maybe even higher than mine, and he started getting together with some of his audio buds doing shoot-outs in a friendly competition to see who has the best sounding copy.   

Over time this evolved into Better-Records.com, where the best of the best of these shoot-outs can be bought by regular guys like me who live for the sound, but just don't have the time or the drive to go through all the work of finding these rare gems.

The difference in quality between your average pressing and a White Hot Stamper is truly incredible. If you don't have the system or the ears of course you may never notice. If you do though then nothing else comes even close.   

Tom will say things like only one in twenty copies is Hot Stamper worthy. This doesn't even come close to conveying the magnitude. Last night for example, wife and I were listening to our White Hot Stamper of Tchaikovsky 1812. Then we played another White Hot Tchaikovsky. Then we played the Tchaikovsky tracks from my copy of Clair deLune.  

Without hearing a White Hot you would think Clair de Lune is about as good as it gets. After two sides of Tom's wonders it was flat, dull, mid-fi. Not even in the same ball park. And yet this is quite honestly a very good record. How many of these he has to clean, play, and compare to find the rare few magical sounding copies, I don't even know!  

Copies of Hot Stamper quality being so hard to find means of course they are not always available. This is not like going to the record store. There are not 50 copies of Year of the Cat just sitting around. Most of the time there are no copies at all. When there are, they get snapped up fast. Especially the popular titles. Fleetwood Mac Rumours, Tom Petty Southern Accents, whole bunch of em like this get sold pretty fast even in spite of the astronomically outrageous prices they command. Then again, since people pay - and fast - maybe not so outrageous after all.   

So I spent months looking, hoping for Year of the Cat to show up. When it did, YES! Click on it and.... Sorry, this copy is SOLD! What the...? It was only up a day! If that!  

Well now this puts me in a bit of a spot. Because, see, besides loving music and being obsessed with sound quality, I'm also enthusiastic about sharing this with others. With most things, no problem. Eric makes an endless supply of Tekton Moabs. Talking up Tekton or Townshend or whatever has no effect on my ability to get mine. With Better-records.com however the supply is so limited the last thing I need is more competition. Bit of a bind.   

Even so, can't keep my big mouth shut. Been telling everyone how great these are. One day someone buys one based on my recommendation, Tom finds out, next thing you know I'm a Good Customer. What does that mean? Well is there anything you're looking for? Year of the Cat. That's a hard one. Tell me about it. Might take a while. Take all the time you need. Just get me one. Please. Okay.  

That was months ago. Other day, hey we're doing a shoot-out. No guarantees but should be able to find you one. So for the last few days I was all Are we there yet? Are we there yet? And now finally, like I said, shipped!  

So now I have my Grail, and the story can be told. Got a nice little collection of Hot Stampers, and will be adding more, but this for me is The One. Might not be for you, but that is the beauty of it all. Many of us have that one special record we love. If you do too, and you want to hear it like listening to the master tape, this is the way to go.
128x128millercarbon
"...but perhaps Tom or Carol from Better-Records.com can."
Carol is from UPS. I hoped that millercarbon would talk to her about earlier delivery of my record. A few nice words, as usual, maybe a long walk on the beach in the sunset, and, inevitably, an Audiogon post that starts with...I talked to Carol...

Carol Tomé - Wikipedia
Ah, my mistake.
But it does remind me:
miller, I ordered a print of Picasso's 'The Sunflowers' off of Amazon last night.
When can I expect it to ship?
I had fully expected the hot stamper to be a marketing trick and corresponded with Tom in advance ensuring that if I was unhappy I could return it per his guarantee 

I didn’t return it and that’s why I thanked him 

NOW.. I did return multiple lps later as they did not meet my requirements nor match their descriptions, in my view.  

My standards are high and by all means mock but I’m here to contribute. Not get involved in tomfoolery 
Of course sound quality of similar or even identical pressings are all over the map, due to handling and/or manufacturing (mal)practices. No secret there. And of course the more popular the music, the more copies needed to be pressed quickly to meet market demands and the more chance of overused or overheated stampers. And probably also a much higher probability of having been played over and over on extremely crude teenage ’gramophones’. It’s actually a miracle so many copies did survive these guerrilla-like circumstances.

But seriously, advertising the ’hot stamper’ sound as ’tubey magic’ for recordings made in the 70’s, when studio’s mostly used solid state equipment? Asking hunderds of dollars for damaged records with consecutive ticking from needle marks, just because they are so called hot stampers? Come on.


onlyqualityhifi,

I ordered my record out of curiosity and I am not planning to send it back regardless of quality, unless it is not the record I ordered. I am really interested if there is such a big difference as stated in OP and by few others who have experienced it.