The Definition (full Def 2 - I've never heard the Omen Def) with the First Watt F3 was just an incredible pairing. It did it all and had no real weaknesses, on any type of music.
(With that setup with my Tom Evans phono & line stages, for the first time ever I was completely satisfied without a tube in the chain anywhere. Gave up absolutely nothing to any tube gear in the areas where tubes are typically considered to be superior. But then the TE gear is not like tubes or transistors.)
Of course, I still sold the F3 (my 2nd). I got a Graaf GM20 OTL amp and like it just a bit better - but it was really a matter of taste, not superiority. In fact, I'm not sure I can say I've *ever* heard an amp "better" than the F3. When that thing is warm it's like the best low-power SET in tone and dimensionality but with real extension and a much lower noise floor.
(You may think your 45 SET is extended, and quiet, and it may be, but it's not like what can be done with no output transformers and - gulp - little chunks of sand instead of tubes. I have had other tube gear that was utterly silent for all intents and purposes (Shindo Monbrison) but not a tube amp that had a noise floor as seemingly nonexistent as the F3's. Now, why did I sell that thing again?)
It's such a crazy hobby, what with the virtually infinite number of permutations of gear possible. Not really a safe mix with the overly curious.
(With that setup with my Tom Evans phono & line stages, for the first time ever I was completely satisfied without a tube in the chain anywhere. Gave up absolutely nothing to any tube gear in the areas where tubes are typically considered to be superior. But then the TE gear is not like tubes or transistors.)
Of course, I still sold the F3 (my 2nd). I got a Graaf GM20 OTL amp and like it just a bit better - but it was really a matter of taste, not superiority. In fact, I'm not sure I can say I've *ever* heard an amp "better" than the F3. When that thing is warm it's like the best low-power SET in tone and dimensionality but with real extension and a much lower noise floor.
(You may think your 45 SET is extended, and quiet, and it may be, but it's not like what can be done with no output transformers and - gulp - little chunks of sand instead of tubes. I have had other tube gear that was utterly silent for all intents and purposes (Shindo Monbrison) but not a tube amp that had a noise floor as seemingly nonexistent as the F3's. Now, why did I sell that thing again?)
It's such a crazy hobby, what with the virtually infinite number of permutations of gear possible. Not really a safe mix with the overly curious.