What are the best loudspeakers under $4000 to re-create lifelike piano

I have been an audiophile for 50 years, during this time I have never heard speakers that can faithfully reproduce the sound of a live grand piano. I have heard some pretty impressive systems (read very expensive, $0.5 million and more) during this time, I can honestly say none faithfully reproduced the sound of live piano. OK, some came close; Magico Q7, Wilson Alexandria etc.

Hope I don’t sound too cynical, just my 2 cents worth.

Working within sensible budget restraints ($4k or less); I am a fan of Yamaha NS1000M speakers and my current favorite, Gale GS401A (see my previous post on the Gales). Both speakers look good and are very dynamic. But, do they reproduce grand piano faithfully? No, but they do sound nice and do a reasonable job.

I like "s1nn3r" and "newbees" answer to the OP; either buy a used piano or fantasize. I like the "fantasize" idea; isn’t that what we do all the time as audiophiles?

Snapsc the Impact monito bass are good but they are even better with sub, Sbayne use Rhythmic sub.True no one can copy the sound of piano like it is unless you buy one....But the closest I have heard is the Austin Acoustic horn system 750k over budget for 746k

@jayctoy.  So far most comments have been that it is hard to do a piano. In my mind this is a good test for an "affordable" loudspeaker for anyone considering a new speaker.

The DI and DI Monitor are getting great write ups for their overall realism. As a follow up. Are you saying that the DI Monitors when used with a sub have the scale to do a good piano?  Also, please comment on their clarity....why...as I noted above, it's really hard to do clear piano. 

Aside from system requirements, I find that a lot of recordings of piano to be unconvincing. Two "tells" for me- (the loss of) the harmonic overtones and their decay, and the gravitas of the deeper bass registers. There is also the issue of perspective in size and placement relative to other instruments, particularly if a large orchestra is involved. (Jazz combo recordings are easier because there are fewer instruments and they are less "dense"). Sometimes, the piano is mic’d so that it is disproportionate in scale and placement relative to other instruments. One record that I find pretty convincing (though it may not be your cup of... musically) is: https://www.discogs.com/Amina-Claudine-Myers-Salutes-Bessie-Smith/release/7460514 (The original on Leo, not the audiophile reissue).
This record sounds close to a real piano in my room, using Avantgarde Duos supplemented by a pair of 15" subwoofers.
I have had concert sized pianos in my homes over the years and know the sound of a "real" piano, both from the driver’s seat and from an audience perspective. The difficulty is generally ascribed to the range of the instrument, but I think it’s more than that- timing, harmonics, power to deliver bass energy and, in my estimation, difficulty in finding convincing sounding recordings.

Snapsc between the technics and tekton monito r either one are very good with piano, clarity wise they are as well superb, I played Ivan Moravec Bethoven Fifth Sonatas , the tekton was able to dissect every ambience available on the recording, the technics tonal balance and piano energy is superb, the technics was voice by a Japanese world class pianist , She is employed by Technics as Vice President of  operations...I love my tektons, but if you will play 90% piano I go with technics....