Hasse,
When I say low level detail, I'm referring to minute details such as decay of a piano, or revealing of things you hear in older jazz recordings in a quiet passage such as a chair creaking, or the subtle brush of a cymbal....in those areas I thought the Bryston was better. The X350 is certainly no slouch in the bass department......
The overall signature of sound for 7s versus 28s is so very similar, that if a person's wattage/headroom/room size needs were served by a pair of 7s, I would stick with it......I had a chance to get a pair of 28s for not a huge amount for upgrade, so I went for it......and while it's true it sounds like there is more headroom, the 7s still sounded similar for half the money.....but the 28s aren't leaving :)
When I say low level detail, I'm referring to minute details such as decay of a piano, or revealing of things you hear in older jazz recordings in a quiet passage such as a chair creaking, or the subtle brush of a cymbal....in those areas I thought the Bryston was better. The X350 is certainly no slouch in the bass department......
The overall signature of sound for 7s versus 28s is so very similar, that if a person's wattage/headroom/room size needs were served by a pair of 7s, I would stick with it......I had a chance to get a pair of 28s for not a huge amount for upgrade, so I went for it......and while it's true it sounds like there is more headroom, the 7s still sounded similar for half the money.....but the 28s aren't leaving :)